The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
death to 2020的续集,但不如前者好笑
2021学到了什么:学到了大家在2020都毫无收获
用几位演员客串一年中发生的大事。这方法叫做跨界或者融合。看这个片子感觉美国也有不少傻逼,甚至不比我们少。
这个值得看看了。
新年第一天,今年的第一部。愿2022更好,世界和平!
先看的这个,喜欢! “What I learned from 2021 is people learned nothing from 2020.” Cool!!! That would also be my comment for 2020 I guess.
留着2021最后一天看,小失望,梗没玩好,吐槽也没啥力度
同样一个套路,放在大洋彼岸拍就是情欲试探或是探索性觉醒再到“真我”挖掘,身体动了,心智也要觉醒;放到更“内”的影视制作语境里,自然也就顺其自然地发展成了“欧尼与小狗的快乐结局”这般糖水(因为再“过火”的演绎已经有那些小电影了,自然不需要那么做),对照起来看有意思。物料里的噱头最终被转嫁为李濬荣成功转型、用心良苦的几刻特写;徐贤“正直忙内”的团设在脑海里挥之不去,始终委婉把人推开。如同这最后不尴不尬的呈现,也看得一样在被束缚。
但从另一个角度看,当今世界意识形态真的是超级割裂...
对于3月到5月生活在上海的中国公民,这部电影实在太轻飘飘了
cop26大会那里我有点惊讶,就是双边对事件的报道差异。还有就是欧美影视行业存在保守派吗?好想知道。主要我喜欢刘玉玲。
反智美国的年度总结,这个超级大国从未像如今这么分裂过
鹰酱一如既往擅长自我嘲讽,大家看完乐一场,实际问题还在那儿。
2、仍然很傲慢,满满的傲慢;
2020也去死,2021也去死,世界持续魔幻中,伪纪录访谈片,最主要例举了米国全年魔幻大事件。
Learned nothing from 2021
这一部的表演感比2020年更加重了一些,在我中国来讲,2021好像并没有什么铭记于心的大事可以从这一部电影里引起共鸣……而从美国来讲,或许是比2021的社会更加撕裂了
3、居然在显示的地图搞小动作,台湾和大陆的颜色不一样
这样自黑的勇气和气量,正是老美强大自信的表现;但明知故犯双重标准的无耻作风,也是老美在全球霸道甚至霸凌行径的写照。
what a year. 被吐槽的有一些,没被吐槽的更多。
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