Abandoned by his father at the age of five and raised in near isolation by a loving, yet emotionally unstable and over-protective mother, the only life Peel Munter has ever known is within the confines of his childhood home. Upon his mother's unexpected death, 30-year-old Peel is left lost and utterly alone. With no job, family, or friends, he must make a choice; live as his mother did, lonely and unsettled, or change the course of his impending fate by breaking out into the unknown, facing the trials and tribulations of an outside world he doesn't understand. Unable to make the house payments, Peel decides to take in a couple of drifters as roommates. After forging what seems to be a burgeoning new family and brotherhood, one of the roommates betrays Peel's trust, compelling Peel to venture out in search of his long-lost, real brothers who had been taken away from him decades ago. Along the way, Peel's lack of cynicism and innocence has an inadvertent, yet powerful effect on those he meets, as he brings a group of marginalized misfits closer to their true home.
最后，愿世界再无谜语人🙏🏻
还是挺真实的。尽量生活化了。剧情太多，篇幅太短，应该做成电视剧。
这电影真是又臭又长，题材是不差的，就是节奏拉胯，没有高潮点。
与瑞茜·威瑟斯彭主演的《涉足荒野》如出一辙，都是自我救赎重新面对社会的一种方式。只不过娜奥米沃茨以54岁高龄出演这样尺度的小制作是否值得？
我很努力的看，但是我真的看不下去，也没看懂，也不想看懂了。
夙凰変成鳩，三万假市的兜兜装装。一-幵始人物太せ朶碎，呈然最后串達起来了有点思路微妙的感党，但半竟前面的故事垪得不咋地。
拯救他人亦是拯救自己，也就这个和还可以啦，剩下的我也不知道为什么明知道天气不好她还要去登这个山？初衷和人物动机没有的情况下，实在是不知道目的在何处。
感觉像是看了一部两个小时的电视剧，对没看过原剧的观众不太友好。
鸠对应万元假钞，结尾虽有串联，也无法给人舒爽感。
不覺得坐了兩小時。兩個小時沒有說明什麼關鍵的事，但刻畫了不少細微的來龍去脈，為甚麼每個人變成了每個人
小成本，戏很简单，剪辑一般，节奏缓慢。人物性格模糊，行为合理性存疑。
拍成这样也能看出作家的实力，但是编剧导演实在太忽略细节了，既没有满足类型片的期待，又没有拍出文艺片的风格，观众连主题一不小心都会弄丢
直接叫Many Saints in Wakanda吧. 烂活.
有些地方没有解释清楚，比如关于鸠的假钞。感觉这些年日本电影不太行了，尤其和韩国比起来。//2022.07.07
（二星半）
像是老牌的黑帮派，只不过是短暂的，快速的重现了一下没那么多细节
跟自己和解有很多方式，怎么救别人，就怎么救自己。要么自己kill你自己，或者被别人kill。
明明是《黑道家族》前傳，竟然花這麼長時間談BLM。
最后，愿世界再无谜语人🙏🏻
絮絮叨叨的不明所以，充着老剧来的，可惜太失望
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