The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
2.5星吧。。。怀着故事之间暗藏关联的小期待,硬撑憋完两小时,结果落下一个怀疑自己得了脸盲症的心病。。。
有事无故的典型,浪费了一堆好梗。据他们说还是老梗。
放松!虽然很多重拍,但总体赶脚还阔以,四星以示鼓励~
都2022年了,十年前的恐怖片都比这个有逻辑吧 恐怖元素的堆砌罢了
家庭创伤下的邪魔杀戮,有北欧得肃杀感,导演的画面审美也极好,即使节奏缓慢也让人看得下去,小演员的表演也是功不可没。
就可能不是拍给我们这种没看过原漫画的人吧。完全看不明白主角的动机。
原作里庞大的设定背后有相应的智谋和暴力支撑,电影摆出了原作设定的外壳,对智谋和暴力的表现效果却十分平庸。
2 女鬼(远景)
嗯......就是一堆小鬼故事,中间都无聊到扣手了,好多故事都没什么道理。
依然都是些老套的桥段,不过比上一部好了很多。
这尼玛玩似的。。。。演员在哪里一本正经地演。观众看了只想笑。。。。
除了偶尔几个镜头终于让我get到横滨流星的帅了其他一言难尽
梗都老得很。仅《人体模特》一个故事有些怪谈味,《齿虫》适合充实成长片,其余质量不敢恭维。讲了十个鬼故事也没发现跟首尔有什么关系,还不如直接叫《二手怪谈》算了。
这种段子我走两小时夜路能编一百个出来 翻白眼ing
忘记打卡了!可以说各方面都让人很意犹未尽......但是恐怖片不就是要尽兴才好嘛!
同类型里面不算出彩的。没看过漫画,白麻那个角色感觉太硬凹大姐头感了
印第安原住民传说,恐怖大师里有鹿女,这又来了个雄鹿怪,只不过影片拍的太直白,没有悬疑色彩。
莫名其妙的,但有陀罗的制片似乎很会把握对黑暗中的恐惧营造。
除了最后一个密室逃脱有点意思,可惜感觉还没到高潮呢就没了??虎头蛇尾。。
蛮好看的,青年漫改电影。设定有创意,赌郎组织,吃老千的噬慌者。目标:世界和平。
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