Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
这个电影其实可以特别低成本的，剧情啊拍摄制作什么的根本都不需要，就，滚动放几张Channing Tatum的写真照，我等目标观众就可以一直看的
记忆里想不起还看过其他印尼电影，感谢网飞的全球搜罗，能通过镜头感受不同文化背景中的创意：前半段还是在压抑和愤懑中的现实主义，从灭蚊喷雾开始，到在复印小哥饱含泪水的注视下把复印机推上楼顶就开始意识流了……当黄色控诉纸页满天飞，一张张面孔再被复印，真给整糊涂了！不过：从街心雕塑的水准看，那个艺术家庭能随便出15张雅加达往返京都的国际机票，靠卖作品能当黑涩会真够邪门！顺便吐槽，6个学期上大学的计算机专业不到1800美元的学费也真划算。
题材新颖 因为超级超级小众 所以没有办法与人分享 独自观影 也深陷其中
Hardin明明一脸渣男相，在亲密关系里反而是爱得更加无法自拔的那一个，真是没有说服力。Tess的每件衣服我都想给她烧掉，完美暴露身材缺点，有些镜头里显得比男主还要壮实……after拍到三感觉俩人的家庭怎么越来越破碎的，我想要的双向救赎的老梗在哪里？！不知道下一部剧情怎么走了……
Well can't say much.
my life is not your porn。开局故事还是蛮吸引人的，后续剧情的发展显得有些一般。影片的最后一幕，越来越多的人走上高楼，走向勇敢，走向希望，带着些理想主义，却又是超越现实，给人希望。
不明白为什么有人会说女主不愿意为男友放弃去西雅图，而男主为女主放弃，因此就觉得女主人设毁三观了。现实生活中很多人不就这样嘛，为什么在电影里就不能这样了，太把电影太理想化了。另外男主真的很帅
Piece of shit…连sex scenes都好无聊😰
这个动机有点尬 竟然拿背部照片黑白转换找灵感，这特么就是没灵感 一点艺术细菌都没有
my life is not your porn。开局故事还是蛮吸引人的，后续剧情的发展显得有些一般。影片的最后一幕，越来越多的人走上高楼，走向勇敢，走向希望，带着些理想主义，却又是超越现实，给人希望。
。。。真的不爱看这种了竟然还有第四部我是真的不理解。。这除了做爱还有别的吗😅做爱然后吵架接着和好又做爱无限循环😅小东西挺有意思 我倒要看看第四部怎么拍😃
印尼电影看的比较少，仅看过的几部主题也都是涉及地方特色宗教恐怖片，这部很现实主义，但隐隐感觉是一种全球化式的现实主义，不知道是好事还是坏事。
真的很一般 这剧情真的太老套了 用女主颜值硬撑着看完的
挺开怀一笑的典型爱情喜剧电影。布拉德皮特死得那么干净利落我是没想到。小笑点还挺多，且不尬。
苏尔酒醉之后，因第二天被发现自己的喝酒自拍而丧失了奖学金的资格，愤而需找出真相的历程…最后果然还是那个有权有势的…
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真不想诟病剧情、台词了，蜻蜓点水的船戏和背书念词的吵架戏/自以为是的drama交替进行。可能是阅小黄片无数对船戏质量要求高吧，这部次数比前两部多了但激情少了，只是在完成规定动作，氛围全靠音乐撑，就健身房那part稍微性感点…一星依然给Hero的颜，还是欲的。
那老头一开始我就以为是爸爸，到最后真的是爸爸
这部电影很震撼，光影氛围效果、清洁流畅程度都超出意料。很女性主义，很佩服女主的清醒与勇气，smart girl
什么鬼扯结局 剧团其他人就看了这些瞬间相信了？ 简直比之前收集的证据还薄弱。。。
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