With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
故事简单。没有新意。除了抒情版的主题曲听的非常舒服之外。其他没有亮点。
只能说一般，什么号称现代版人鬼情未了，问题是女主竟然用的是最古老的冲晒房技术，我年轻的时候搞过，不好玩。都什么年代了，不要说这显得女主很文艺，放在二三十年前可能是，但是现在，我这个老阿姨都觉得匪夷所思，所以压根打动不了我。
每一次看这种美国家庭喜剧真的就是幸福满满，我们追求的不是最帅的，而是最适合的
Luke出场的时候，激动的差点叫出声。其他的就不强求了，毕竟只是国外的春节档而已。
男主帶好友回家過聖誕，本來打算假裝是脫單對象，可是因媽媽找來了約會對象而告吹。豈知好朋友不只是朋友的表象，早已被全家人看了出來，全家人拼命要把男主跟好友湊成一對，只有媽媽要男主跟別的男人在一起。與此同時，男主跟約會對象又是喝聖誕調酒，又是滑雪親親，還來電到考慮搬回家住！好友原本聽了也給予祝福，然而聖誕節越來越近，怎麼可以只顧著約會呢？自然是待在家裡，讓家人製造跟好友相處的機會啦！兩人因工作意外之故，拍起了性感模特照，性感耶！怎麼可能沒感覺？！不過拍完後，約會對象邀約，好友也有事。眼看兩人要散會，全家人趕緊一邊破壞約會、一邊逼好友正視己心且採取行動！全家人助攻啊！後來連約會對象都推一把了！男主只好從了！弄假成真不好嗎？連片尾曲歌手都脫單了啊！麻煩把約會對象Luke Macfarlan讓給我吧！
本来以为是个圣诞糖水片，结果全家拼命push给我看恐惧了，代入一下不就是过年回家的七姑八姨吗救命…帅哥完全工具人，谁跟谁都没火花，属实工业糖精了。Urie可爱。
真不好看，好莱坞是黔驴技穷了么，最近没看到好电影
配乐挺好听的，只有真诚才能打动人，故事俗套无脑，不过看完还挺轻松的
banal but gold. 先婚后爱之流行天后恋上我. 选角和原声真的赢面太大.
这男的算老几啊对女主指手画脚，it‘s her life, dude😅 你该庆幸人家乐意和你试试，凭什么还让人家大明星有钱又好看又有才华迁就你😅😅😅
在小时候，常听到这样一个问题，在爱你的人和你爱的人中选择一个，你会选谁？那时，我选择了爱我的人，我期望得到父母的爱，兄弟姐妹的爱，朋友的爱，但长大后，我反倒开始慢慢选择我爱的人，电影中有这么一句，好像是这么讲的：当你保护自己免受伤害，到最后，你会失去所有的快乐。这一部影片，告诉我们要大胆去爱，到最后，爱一定会给你好的结果
If you sit in the question long enough, the answer finds you. And the answer is I don't want to keep making the same mistakes over and over. I want something different. If you want something different, you have to do something different.
《诺丁山》之看演唱会撞大运，为了J.Lo勉强加一星
本来以为是个圣诞糖水片，结果全家拼命push给我看恐惧了，代入一下不就是过年回家的七姑八姨吗救命…帅哥完全工具人，谁跟谁都没火花，属实工业糖精了。Urie可爱。
老婆：你是怎么认识我的呀 我：哈哈哈 老婆：七年前 我：我在走廊上看到一个又高又瘦又白的美女，头发是金色的，我心里想“卧槽”，然后我问你，你是xxx吗 老婆：哈哈哈哈哈哈 我：然后我在你们寝室门口跟你出柜，因为声音太大，你们全寝室都听到了 老婆：哈哈哈哈哈哈哈哈哈
两位50多岁的主演，演绎这种不切实际的浪漫事，怎么看都觉得差那么点激情。换Lady Gaga效果会更好吧，麦当娜找90后男配到是不违和。谁知道，总之是个俗套爱情。5
矛盾冲突点竟然是JLo提名拿奖，因为有距离感才分开，我真的：？？？？ 平平无奇，从开头就能猜到套路的标准RomCom，因为编剧的拉胯显得更一言难尽
I came to listen the score, but I found it's an interesting cliche.
模板化的故事 每一步都在预料之内 但是巨星的味道难掩
感觉剧情浮于潦草了，氛围感差点意思，J.Lo颜值撑起了整部电影。
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