Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
过去挨的每一拳都是对上帝不公的抗争，现在遭受的所有苦难都是上帝赐予的礼物。宗教的洗脑作用太强大了。
刚把女神追到手转身去当和尚了，这我很不理解
上半场嘲讽wokeness技能拉满，下半场正能量主旋律爆棚...
让人感慨的是，似乎确实看到了20年来青春歌舞片的变化，又能感受到导演致敬过去的想法。
有没有人能把现在的我敲晕，我也想昏迷20年看看这b疫情能不能结束😑
真实的故事改编的电影，总有独特的魅力，用电影化的手段是了解那段历史。
中规中矩的传记电影，这个世界上总有一些人能够把目标坚持到底
前半段看的很感动，后半段实在没拍好。一个teenager都不知道什么是自己，又怎么做自己呢？立意和冲击感都有了，但是逻辑并没拍的很顺畅。好在演员演的都不错，除了没完没了的澳洲口音！
听到了艾薇儿，布兰妮，擦妈那个年代diva的歌曲，要是服装上也千禧风估计会好看很多..
看着别人的一生，虽然与自己大不同，但是整体的代入感还是次次打动我...
讲真，马克沃尔伯格不适合演神父，一脸痞子样，以及无神论者很难共情本片
结构安排不太好，剧情设计也欠妥，总感觉重心有点偏。
两次车祸不断的堕落，男主的自我寻找之路表面上多歧路，其实也蛮无聊。
-What if the unknown was greater than we could possibly imagine.
前中后都不错，但加入幻觉这种元素没有必要吧
导演的人生也很精彩，台词丰富有趣，前面节奏好，剧情发展后半段有点控制不太稳
居然看到了颇有风情的Rebel Wilson! 瘦下来了真的美美的。喜剧演员也要有个好底子啊！卷卷卷
居然看到了颇有风情的Rebel Wilson! 瘦下来了真的美美的。喜剧演员也要有个好底子啊！卷卷卷
斯图神父 前面看着像古惑仔电梯里的那个神父前传。对福音电影没啥共情，如果有佛教的电影应该也不会太激动吧，因为会对比西游记。马克沃尔伯格演的真好，梅尔吉布森就是打酱油的，可能名气大，最后非落到父子关系上，还不如换个人演爹。女主真不讨喜，还不如导演自己来演呢，这种能让人一见钟情放弃一切的角色颜值必须高。不然谁信啊。
这是网飞给90后安排的回忆杀吗，布兰妮艾薇儿Destiny's Child…千禧年的流行文化符号像一台时光机，爷青回。
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