In the first of this two-part series, Stephen Fry reflects back on just how much has changed for gay people during his lifetime. He meets Elton John and David Furnish, the couple who inspired Stephen to be open about his sexuality as well as many others. In 1st episode, Stephen travels to Uganda, where the government is considering a new law that would make homosexuality a capital crime - putting gay people to death for their sexuality. Stephen meets the men and women targeted by this proposed law and finds out the impact it is already having on their lives. Stephen also travels to the USA to explore 'reparative therapy', which claims to offer a 'cure' for being gay. Whilst in the states, he looks at how Hollywood deals with the gay issue by talking to Neil Patrick Harris, an openly gay man who continues to land leading roles. The 2nd episode sees Stephen visit Brazil, home to the largest gay pride celebration in the world and a place that has some of the best legislation on the planet for gay equality. But it has come at a price. All of the advances have brought about a violent backlash against gay people; on average, one gay person is murdered every 36 hours in Brazil. Stephen sees how this is impacting on the lives of gay men and women there and also confronts the politician leading the fight against gay rights. Stephen also visits Russia, where gays are now worse off than they have been for a long time. Their rights are being constantly eroded by a conservative government, backed by the disapproval of the Russian Orthodox Church. Stephen then travels to India, where the old British laws that criminalised homosexuality have just been overturned. Modern India is now looking to Hindu traditions as it forges a more positive way forward for its gay citizens, including its once celebrated transgender community.
美术设计太过精致好看，剧情细节也是太传统和太中国的，八十年代有这种动画而现在呢。
上海美术电影制片厂在上个世纪制作了大量基于传统文化的美术片电影，陪伴了几代人成长。其中巅峰之作有1961年的《大闹天宫》、1979年的《哪吒闹海》、以及这部1983年的《天书奇谭》。
原版没看过，重制版什么都好，特别是片尾的幕后特辑。我虽然不喜欢画风，但也承认处处充满创意，设定都是很用心的，有依据的艺术创作，故事来源是北宋三遂平妖传，落到画面上是又有规范，又自由洒脱，情感充沛且个性张扬，true art.
和普罗米修斯的真正相像之处是内在的悲剧精神:悲剧艺术家不是悲观主义者,相反他肯定一切可疑可怕的东西,富有启迪意义的一切不幸都是正当的,英雄的悲剧让人感到生命的丰盈,悲剧英雄不怨恨,只馈赠。片中所有主要角色身上的力都相当复杂多元,甚至蛋生也不是严格的伟光正型男主,而是轻盈快乐和善于变通的。
普罗米修斯·袁公盗书；
长大了看，很有那个时代的痕迹，普罗米修斯，而且小时候的印象没错，一种没完的感觉
（剧终之后随附纪录短片：幕后花絮，由导演分享讲述，以及此次的修复工作概览）
25年依然经典
“奇、趣、美”，“探民族风格之路，敲喜剧样式之门”；
那个年代 这种作品 很无敌
角色情节都恨经典、灰常长的动画片，小时候电视台总是总分几天播完，很不爽。
坐在电影院里，就只想猛吸一口这浓浓的醇厚的民族气息！！！从音乐到美术到故事！！真正的中国故事！！可以想象给当时的人们带来了多少乐趣！第一次真正体会到不同年龄看同样的东西的不同感觉！好几次都想哭了，感觉像小时候过年一样，纯正的味道！！
中国现在连一部像样的动画片都做不出来~像天书奇谈这样的动画片太珍贵了~
以前的音乐还真不好听...但是以前的动画片都不糊弄小朋友 现在都是把小朋友当傻逼
小时候看这个的时候，虽然不太明白，但却独自哭了很久。
社会议题、本格推理、青春热血，要啥有啥，原来蜡笔小新剧场版这么厉害
前两天还在电视上看到～觉得感情真挚得不行了～非常喜欢
小时候看不懂，只是记得很恐怖；现在终于能看懂了，好看！画面、剧情、对白都是一流的。极喜欢。
普羅米修斯盜火種式的故事，包裹在充滿東方美學的京劇美術中，毫無違和感。只可惜現在拍不出來過不了審，最起碼寺廟的那段戲，就會被佛教協會叨逼叨。
中国的普罗米修斯盗取天书之后。211106，这次影院4k幕后有十几分钟花絮，原来这个本来是和BBC的合作，但BBC后来说最近穷，没给钱哈哈哈
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