Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
题材比较特别。相对来说有些露骨？现实？还是色情？不好说。
莎士比亚也说过，爱情是一种精神病。相遇的缘分啊，无论经历什么困难，终究还是会相遇的。相遇的缘分终究会遇见吗？有想再遇见的人是吗？
孙锡久和全钟瑞的组合难免有点兴趣，不过片子就是很普通的恋爱喜剧，两人单独的戏都还挺喜欢的
光有女主在就好了啊，男主真是令人养胃的存在
交友软件只是个引子，换成在朋友聚会上认识也行。剪辑老套，完全是韩剧的手法。
喜欢🍊精，单纯因为想看孙锡久来的，满足了，所以不管剧情好不好，给四🌟😂
一晚上连看了国王瑞查德和美国草根，抛开价值观和国别，共同的价值观应该得到提倡
可是怎么会上头之后才发现已经把他演过的东西基本都看过了，救命啊没有售后了我真的会谢🥀
孙锡久真的长了一张很有味道的脸，越看越迷人，和全钟瑞化学反应也不错，不过这个剧本太套路了，配不上他们俩的表演
美国电影总是体现着美好爱情和英雄主义，也确实，这样是可以让很多人崇拜和向往的。运动题材总能拍的这么好，我国还是荒地，希望今后多出一些好的运动片子。
男女主都很……奇特。女主的奇特来源于一段失败的感情，男主的奇特是真的……奇奇怪怪，抱走礼金簿真什么迷之操作。很轻松，但总觉得看了个寂寞。
一晚上连看了国王瑞查德和美国草根，抛开价值观和国别，共同的价值观应该得到提倡
超喜欢男主角，女主也是演技派。可惜剧本太套路了。。
孙锡久好性感，全钟瑞也好性感，这两个人可以只做爱不谈爱吗。
爱死全钟瑞了 片子本来也没抱太大期待 还行吧
化学反应很好，全钟瑞我可以，就是确实剧本太套路了
有意思的，尤其是每次喝酒的谈话都好有意思。
喜欢女主的洒脱不羁、刚中带柔，全钟瑞在这部里的表演看着很对味儿。没有恋爱感是对的，结果没想到最后还是置入了本该缺席的恋爱，偏又缺少那个被切实击中的瞬间。男主被人肉这个结果其实还是蛮惨的，但轻描淡写就带过去了，不太舒服。
最喜欢女主在居酒屋里问的那句“这里有人不孤独吗”
纯属为了全钟瑞看这种爱情片 怎么办感觉她无论演什么看起来都不正常
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