A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
蛮有趣，原以为是北野武奋斗史，结果是师生情
春节档口碑最佳 无可争议
不要吹水门桥了，来看老谋子了 ，以小博大的好片，想看大场面的就别来了，整片就一个场景雪地，但是给我整出兵临城下的紧张感
一声“到”！太太破防了T_T
北野武的个人特色太过强烈，真不是很好演的，影帝太精致了总少了很多感觉。单纯从这片来说，师傅这个角色更有存在感和魅力一些吧。
#青春献给祖国，盛世迎您回家#
张艺谋和陈凯歌拍的片为什么相差甚大呢，狙击手只是作用了一个小场地却拍的让人看的热血沸腾，陈凯歌你永远学不会
中规中矩吧，没啥惊喜，除了柳乐优弥演得那一举一动实在太像了
问：“北野武的相方后来去干什么了？”我：“组了ナイツ”
票房输给水门桥正常（毕竟水门桥更商业），但是输那么多真的觉得我们的观众电影鉴赏能力太低了。
原来性格跟老师有很大关系啊 对表演的热爱成就今天的北野武 最近看柳乐优弥上头 演技着实让人着迷
从前慢。怀旧，致敬，哀悼。几段蒙太奇不错，行云流水。影视剧中的死亡总有预兆，一段小高潮，一番小华丽，之后便是落幕。俗套，但赢在流畅和表演。阿武，你这不是去给师傅送零花钱，你这是去给师傅送终。都是宿命。
比长津湖好多了。脚板还在，雀雀还在，还雄得起。
为什么美国狙击手一开枪就跳出掩体暴露自己？
最近看的战争片最好的一部了。唯一的败笔就是最后开挂。迫击炮没搞死他，重机枪没搞死他，狙击手没搞死他。一个连没搞死他，这一个连就跑了。。。
前半段：我擦？这张艺谋拍的？
射杀胖墩那一段设计得有多精妙，结尾那段喊到就显得有多呆笨。
虽说拍在世名人的传记片难免有美化之嫌，但本片以初出道时与师父深刻的羁绊为基础，讲述了北野武一贯坚持自我的渊源，颇具说服力。
“听着阿武，谐星要靠表演博取笑声。如果要用丑妆让众人笑，在路上找丑八怪叫他们上台就行了。如果你还是个谐星你就要化身成女人，世上有哪个女公关会给自己画丑妆的？要让自己成为全世界最美的女人，你要用这样的心态去化妆。别的地方我不知道，但是要在我这里演戏，可不要被人笑，而是要逗人笑。”师父是个伟人！！！葬礼上借他人之口的认可反而俗了，但很日式。
看的时候刚好俄乌开战了，更加深有体会和平来之不易，都是先烈们用生命换来的，也印证了那句弱国无外交，结尾的“孩子的牵挂，永远是家乡”直戳人心
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