Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
wheels up on the curb side,put it in speed drive. I'm about to CRUSH I'm about to CRUSH I'm about to CRUSH I'm about to CRUSH I'm about to CRUSH！！！！！
好久没看到不错的伪纪录恐怖片啦，一开始以为是烂片，没有抱期望，没想到出奇的不错，在新冠期间还能拍出这样疯批的伪纪录，后半段全程高能啊，人形怪物会意念，怪力，会飞，还会变身。最后女主的rap唱出了所有演职人员是点睛之笔。
太疯批了，主要是没一秒能看清画面，而且也不是行车记录仪啊
如同电影中所演，一部像S一样的电影，蓝房子公司是疯了吗，外国人也是疯了吗？
虽然悬疑恐怖效果还不错，但这个女主角一点也不值得同情，毕竟她杀了自己的母亲
节奏慢到中途离开n次都能接上……逻辑也不太通……怪物的造型到还行
总体评分这么低，但我却给的5星，因为看的剪辑，精华全在里面，真的觉得精彩
"Annie are you okay? Killing them like OJ. If the glove does not fit, you must acquit. And if your name is Annie Hardy, then you must be the shit."
7/10非常不错恐怖电影气氛剪辑很到位，通过墨西哥非法移民女孩在美国恐怖经历展现本片主题，美国就是一个弱肉强食的地狱，想在此生存活下来都不是一般人可以做得到的。
BH的新作，还是《鬼影实录》那一套，比导演的前作强一些，但片尾长达八分钟的freestyle还是太难顶了…疫情下反智又自大的川普白粉不停嘴臭，当成喜剧片来看才是最舒服的。
移民恐怖片，又臭又长的剧情就为了看那几分钟怪物
如果你喜欢，你会爱死他。如果你厌恶，你一眼都不想看下去。确实是两个极端。对于我来说，这款屎屁尿恐怖片确实很超前
女主开头的freestyle诉出了我的心声
女主是个不折不扣的疯婊子，镜头晃得没天理啊，玛德～
新意喜欢 喜剧恐怖片 给人全新的感觉 对话很大胆
【B-】虽然还是「鬼屋+阴谋」的传统恐怖片模式，但是至始至终对于氛围的把握都很到位；虽然频繁地使用Jump scare，但是效果确实也达到了。再加之最后怪物的出色设计，让本片比一众同类型的小成本恐怖片要高级、精彩不少。
luke不要给我谢谢
啥意思 只要不被幻境困住 怪物就拿你没办法是吗😂很遵守规则的怪物 结局还是蛮爽的
结尾处直播信号恢复，有一条留言是「anne are you ok are you ok anne」。哈哈
哈哈哈哈，疯癫女主+黑色幽默+带有公路片色彩的伪纪录式恐怖片这些点加起来真的很值四颗星。有些地方诡异到让人从脚趾头开始就一阵寒意，有些地方又让人一边大笑一边高喊厚礼蟹
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