这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
我喜欢。
【2.0】问题不在于真相站不站得住脚，问题在于即便真相站得住脚，即便这个故事能够逻辑自洽，它也还是很难看。
全程看下来比较流畅 就是克罗地亚的警察是拿脚办案对吗 查个监控都不会？？
不要出轨
4星。故事不错节奏感强，QueenB怎么变成了个发福大妈了啊……
有一场追逐戏让我觉得克罗地亚好美！最后半小时反转又反转 不过这种也是有点套路化
6分。悬疑味还行，但几次反转有些牵强。男主直到最后一刻还在满嘴谎言真是够了。看到梅斯特昔日女神现在一副大妈脸和身材不禁唏嘘呀！
故事是圆了，但怪怪的。好几个点在生活中也实在不可能成功吧。
叙事的连贯性不是很好，也没有能成功得营造出紧迫感，因为结局是注定的，也感觉没头没尾的
整个故事好像都在提醒我不适合看这样一个降智的作品，也千万不要在周末去外地度假。
翻拍自2013年的墨西哥电影《我们是贵族》，还是更喜欢墨西哥版本。可能因为拉美风情的融入，会更接地气吧。。。
司機角色完全莫名其妙，隨意反轉沒啥説服力。
2021.12.5 wm 11A A hk
一个带着伤痛和遗憾女人，绝境拯救另外一个面临绝望的生命的故事。没有太多的特效镜头，女主基本上是唯一的看头，情节比较简单平淡，把女性的坚强融化在平淡之中，可能也是一种讲述故事的方式。
无聊消遣……不过做爸爸也太难了……女主五星……
看到Lei在ig宣传这个电影找来看 美Lei还是很美很精致 剧情虽然没啥惊喜但看美女就很开心了 有个人叫Sebastian我还想起之前Lei和384交往过来着 然后死了都能解锁苹果手机这一点有点恐怖 那为什么苹果还不能口罩解锁！
三个大孩子都太可爱了。
一颗星给救人与自救的大主旋律，两颗星给无限旖旎的山谷风光。冰风暴刮得清醒 生疼 沧桑，女主在这种环境下毫发未损，还依靠主角光环将一个废男拖下山，厉害。雪景比人更耀眼，可以截屏好～多张桌面。
翻拍自墨西哥的《我们是贵族》，可惜劳资法兰西的幽默与热情并没能抚平作品的先天不足，故事从头到尾还是那回事儿，哪怕热拉尔·朱尼奥在《放牛班的春天》里能挽救一个班的熊孩子，在这里也没可能领电影更优秀一些……
除了克罗地亚的风景其他一无是处，抖音那些剪片的都TM喜欢瞎JB乱推荐
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