Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
谁能想到看个动画片儿心情是：紧张？！担心旁边第一次进电影院的小孩会不会坐不住起来翻腾、打闹以及嘶吼！
暑假和孩子一起去电影院看的，小孩看了不想走，大人觉得可以二刷。主题曲好听！
剧情简单，善恶好辩。羡慕小孩的天真无邪，成年人的世界几个小孩懂？
什么？Kim Kardashian演的谁啊？
比较一般，没有清晰的主线，小朋友看个热闹
我也不知道好不好看 反正5岁的女儿看得又哭又笑
能看得出诚意满满，惊觉Kim在里面配音，在想会不会是家里某位小可爱也喜欢汪汪队。（和外甥第一次在电影院看电影）
除夕十点未来，四岁第一场大电影，半个小时想走，喜欢看狗多于看人～
MARK一下带两岁九个月的宝宝第一次进电影院看的第一部电影。汪汪队属于低配版好莱坞英雄大片，只是信息传达更直白了一些，全程大笑加感动，很值得！不到三岁的宝宝看完全没问题，只是电影有不少3D效果，声音很大，太小的宝宝看会稍有点不适应。回家路上宝宝一直说“我想当贝贝”。哈哈哈！
莱德多了一根手指，代价是长满了雀斑，鼻子也塌了
- 啊哈，是替翰迪纳市长擦屁股的故事，也是小狗阿奇面对旧日的回忆，战胜童年阴影的故事。
制作挺不错的 剧情有些低幼 适合小孩子看的
给小孩子看中规中矩。主题就是境外势力到一个城市推翻当地民选政府🤔
连这个都能把我看哭，服了，但真的好看啊，粉了
2202年，狗狗才可以拯救人类，救援场面，有点像看狗狗版的007。孩子看得哈哈大笑和鼻涕眼泪都流出来了。
超赞的电影，制作的太棒了，一定要有续集啊！可惜没有在电影院看，不然肯定可以和孩子们一起唱主题曲！
画面朝玩具广告走，有点不爽，感觉是主业卖玩具的顺道拍了个电影
孩子超喜欢。
没有对比就没有伤害，看这个前一天刚陪娃看完喜羊羊打篮球那个，之后看这个觉得这才是给孩子看的电影，太棒了！制作也很精美，配乐也到位，连我都觉得很好看，孩子从头看到尾专心致志！
比剧集版真实、好看太多，剧情紧凑，细节到位，也多了一份温情！
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