学习如何在日益拥挤的星球上生存也许是我们人类的终极挑战，但有一个地方，拥有的世界人口六分之一印度，人们却特别适应生活在这么拥挤的土地上。这个系列高清纪录片将带我们进入印度最密集的地区加尔各答和孟买，了解这里人们的生活现状及生存压力。
BBC 2012年播出，用3集记录印度的底层人如何在人多地少的环境中工作。印度现在有人口 12亿，占世界的六分之一，每个家庭都有很多孩子，对于穷人来讲，这可是一个很大的负担，看看印度人是如何在他们的国土上为了生活奋斗的。
Learning how to survive on an increasingly crowded planet is probably our ultimate challenge. But there is one place, home to over a sixth of the world's population, which is already making a good shot at adapting: welcome to India. This observational series casts aside the usual preconceptions about the sub-continent, and lets a few of India's 1.2 billion show how their world really works.
With astonishing access into the densest districts of Kolkata and Mumbai, it celebrates the impressive resourcefulness, resilience and absolute pragmatism of those living and working there, and reveals the psyche needed to get ahead in the biggest of crowds.
Part 1.
This episode follows two main characters as they employ all their ingenuity to carve out a home. With more people moving to cities in India than anywhere else on earth, securing that place you can call home is vital for nurturing your family's future.
Part 2.
Johora started out as a rag-picker, but through building a bottle recycling business on a railway embankment, she has big ambitions for her family of seven kids. And it is not just small waste. Kanye uses a blowtorch to cut up ships discarded by the rest of the world, helping satisfy India's thirst for steel. And Ashik buys up beef fat from the abattoir, and proudly renders it down to make tallow. It looks disgusting, even before he is plagued by a maggot infestation. But this thrifty use of 'waste' may well be destined for your soap or cosmetics.
Part 3.
With India destined to become the most populous nation on earth by 2026, you have got to be highly tactical in your search for a better life. It is not just about you and your dreams today - it is about the family over generations to come. Prakash and Mangesh are brothers in their early twenties from an illegal settlement surrounded by the buzz of downtown Mumbai. Prakash is deckhand on a yacht while striving to realise his dream and launch a Bollywood career. But his family make it clear his sole purpose is to earn enough to fund in their joint future: his brother Mangesh's course in software engineering. Swapan, a merchant in a hectic fish market, works so hard for his family's future that his wife knows he is ruining his health. And Sujit, who crafts disposable clay tea cups in Kolkata, hardly dares dream of seeing his family hundreds of miles away.
这个阵容这个年代还拍成这样？ 格林格拉斯、NWR、拉姆塞、吕克贝松甚至库布里克的闪灵迷宫这么来回抄也挺没劲的
简单粗暴的观点输出，仓促粗糙的半成寓言，全片充斥着生硬直给的隐喻符号和视觉象征，却断然在诱导奇观解读之外回避深入女性主角的创伤深渊去解读与交流。于是电影真正的恐怖诞生竟然是孤立女性对抗裂变增殖无尽绵延的男性共同体父权系统这样一个人尽皆知的事实，被以血肉支离声嘶力竭的形式再度扁平化概念化地重申一遍。然而了无任何观点的提出，甚至作为被追猎被迫害的女主直至最后依然只是空心的残缺人格，反射男权暴力自身却无法言语的回音洞穴。男性创作者试图女权表达当然不坏，但这部仿佛加长版短片试验的作品，想要讨好却不愿理解，命题作文又处处偷懒，既浪费演员，也让人对A24的招牌一再失望。
See? They're all the same.
其实还不错，罗素很有回到冬兵，美队3那种时候的感觉，虽然有些地方确实有些“圣母”但总体还好啦。美队作为一个反派喜剧效果多过可怕。
小清新，小惊悚，男生男人，怪力乱神。跟导演前作“机械姬”相比故事性弱了，画面却更美了。片名是Men，核心却是女人。在男人的世界，女人每一步都像行走在黑暗森林，永远也不要放下手中的斧...
前面的空镜真的好美啊，色调也好美，后面套娃我真的和女主表情一样，麻了麻了，永远都是巨婴，最后标题出来笑到了。中间神父那段真的好恶心，好现实。有些内容过于真实。
请问加兰作为一个男人是如何能吧女人对男人的恐惧加厌恶拿捏得如此到位的？就是这种碰到奇怪男人的punctum被放大无数倍的感觉，十分沉浸式。一般个恐怖片反派要么是虚构的要么极罕见，但这部用几种十分普遍的男人类型就足以达到不错的恐怖效果，讽刺拉满了。类似的主题不要比新版隐形人高出太多。另外套娃过于真实！有群人就是这样，男大十八变，越变越讨厌，集多种奇葩元素于一身，演技甚至碾压罗胖子，当然也是种迭代。虽然整体观感稍微有点一般，但作为加兰粉概念和风格过于爱了。加兰「MEN」界楷模
U1s1罗素的动作戏继承美队依旧可圈可点，整体略好于红色通缉令
女主经历了丈夫自杀/意外死亡的一幕，决定租用乡间别墅散心，结果在那里遭遇了恐怖的一夜。
以神秘色彩包装的心理剧，更多的是创伤而非恐怖，让人想起一些西方古典戏剧，而不是当代恐怖片。在婚姻生活中，你看着所爱之人产生了畸变，他想要被爱，可你对他所有变化视而不见，最终变成你不认识的怪物。导演用生动作呕的视觉意象传达了婚姻中男性的不同面，它们甚至是迭代的。让我佩服的是，除了结尾的夜景，大部分时间发生在光天化日下的温馨景致中，但畸变是不知不觉中滋生的。
导演把女性日常对男性的恐惧真实刻画的入木三分。
that ken doll 哈哈 好像还致敬了哈利波特与火焰杯？？总之不太好看
三星半，没有立项时所想象地那么好，但也充满着独特的语言让人着迷。更本身的定位是部包裹着恐怖元素，也释放着疯狂与宣言的讨论；更大的争论在身体语言剥削与性别意识的掌控，到底该在这个世代做到怎样的“平衡”。但Jessie Buckley和Rory Kinnear所交出的上呈表演，让电影明显有在表演上更值得检视的价值。Jessie驾轻就熟于自己过往的形象——在混沌中陷入痛苦，又在分裂里试着决绝的女子，并从头到尾都散发着自己的能量；Rory跨越于“多重宇宙”，用种创新的方式下完成了数个大大小小的角色演绎。这之外的神祇元素或是背景，考虑到之后的《女人们的谈话》大概有很相近的意识；我保持审慎思考。
神也不叫他死。
2.5，剧情跟没有一样……高司令和动作戏还是能看的
我还是去期待下Ken-ergy在高司令身上爆发的电影吧。
有模仿《谍影重重》办公室政治的意思在：高层为了升职，用自己男同学干dirty job，用自己女同学背锅，结果女同学为保自己把男同学干掉了；这个男同学也是不道德，干脏活儿经常卸磨杀驴，自家的杀手都看不下去了，不要钱直接跑了，真是失道者寡助。总之十分安利《谍影重重》。
看到最后就跟女主角的心情一样，你爱咋咋吧。
不能说百分百看懂，但作为性别女代入感非常强，分叉手和连环生子很有意思，对女性身体、道德、子宫的钳制，不确定女主遇到的男人们代表不同阶段的前夫，还是只是嘲讽男人们都是一个样，最后怀孕的闺蜜现身，将性别和人的矛盾拉至最高
口碑？对挣钱有些影响，可，有必要吗？
Copyright © 2015-2023 All Rights Reserved
