Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
叙事OK 但是省经费的英灵出场和战斗实在不行，扣一星
好普通...学妹和医生的两段都不如游戏来得震撼，三分给演讲的贞德、劳模组长和露脸的月球男友女友们（你但凡多让他们说几个字我都多打一星了
以上。
作为一个纯动画党，燃不起来我只能说。出场角色一大堆，特效愣是没用对地方，文戏太冗长了，有些时候真的不知所云。
rnm，退钱！！！氪了一千单你就给我看这？？？？艹
《致所有我曾爱过的男孩》结束之后，Netflix的制作模式就是把幕前幕后的团队全部拆开分散，然后大家依葫芦画瓢量产倾销更多…因此受益于这种内容的人，会很容易卷入更多这样的内容里【我“很不幸”地变成了其中之一（：】。惊喜在于它所刻画的盛夏光景以及这样的海滩小镇生活依然提供如当初《橘子郡男孩》或《恋爱时代》那般的心驰向往，并且原声带选择出色，在感受上舒服；而选择回避各种对抗与争吵，让角色间的各种相处都可以成熟并积极，也同样在近来愈发严肃（糟心）的“青春片”格外舒心。只可惜男女主角火花有限，关系推进十分死气沉沉；配不上如夏夜那般的炽热，也感受不到牵牵小手有个吻之外更多的张力。看看风景听听歌，也就足够。
片子一开始就一股子悲伤气息，玛修和医生那部分看得我确实挺难过的。其他部分节奏不太好，很多地方逻辑不通，一会儿能登场一会儿登不了场的英灵们，医生上场变回所罗门对盖提亚造成了什么打击等等，太多东西没交代明白，让人看得云里雾里的。还有最后互殴的立香和盖提亚，虽然大概能意会为什么有这段，但也给人大可不必的感觉，可能是受制于篇幅吧，不知道如果做成TV动画会不会好一些。不过这段剧情真的太让人难过了，不知道立香经历过这些后还好不好，反正本“立香”看完这段剧情整个人彻底对FGO角色死亡PTSD了。（游戏还没玩到最后，不知道看完这段游戏文本再看这片子会不会觉得它连三星都不值了。）
夏夜 晚风 海浪 烟花 一个情到深处的亲吻 次日清晨走在街道上 想想就会露出笑容 美式青春
总体推荐，扣一星的主要是原因是英灵们的宝具表现太差，没钱请声优还可以理解，但是英灵们的开宝具的表演真的很差；其次是影片的整体表现远不如当初在游戏里的剧情表现，游戏剧情的感染力里真的是太强。我在过游戏剧情时是真的被感动哭了，但是在剧场版里，那种感染力似乎少了太多。 观影下来，我其实想给三星的，但是想想既然终章能够做出来，本身就是一样的很不容易的事，虽然有些瑕疵，还是加上一星吧。
男女主属于耐看型 剧情有点平淡但是又很治愈。这里面女孩子的身材都很好看。男女主穿礼服骑车那段自由又奔放，年轻真好。
好棒哦，我好喜欢，看完了就感觉很舒服，海风海浪，阳光也不会太刺眼。里面的歌也都好好听哦，我听歌识曲就没停下来过。
是人是从者都在秀，只有盖提亚受伤当小丑的世界达成了。
this summer,move to a new place,meet new people,try a different lifestyle,be a whole new self.夏夜追风，好喜欢这个译名啊~自由的感觉~剧情一般，没有啥亮点，(为啥这种类型的青春片总要刻意设置点父母矛盾情节啊！尬)但是画面很美很有感觉，年轻的男女们都很青春可爱~好喜欢那三姐妹的各种小裙子啊！！啊啊啊啊啊啊我以后一定要夏天和姐妹去海边玩耍！！吹着海风骑自行车！！
我觉得游戏里全服一起打魔神柱 我带着刚抽到的梅林打盖提亚 医生的离开和20个不忍心收下的金苹果 才是真的燃和感动，相比之下这电影就很无聊了
这本来应该是我最爱的医生的高光时刻！
作为玩家还是比较满意的，但是不得不说我一直也不是很能get游戏的文案表达的意思....
小镇生活和城市选择 青春细腻 很理解女主的性格 很多时候只有开心放松了才愿意融入别人 父母也是青春期最容易思考的事情 人生很长 选择不一样的生活
各方面都还不错，就是没什么值得夸赞的地方，出场人物也多，但都缺乏精彩表现。
爆米花粉丝向，但也不算让粉丝满意了
很拉…帧数有些地方奇低，特效音效没有亮眼的地方，配乐也很一般，台词冗长而且很多都是无意义嘴炮，唯一支撑着我看完的就是众多英灵…但凡有hf剧场版那种的一半都好过这样……
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