With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
影片的故事简单，情节粗糙，还充斥着一些低俗的设定和桥段，整体是不及格的。
剧情上转折衔接就算了，看着好玩就还可以。
这海报是要萌翻宇宙吗……
5+ ，当动画喜剧片看，不能当儿童动画看。以成人的思维去拍自以为的儿童片，玩的都是成人的梗，过的都是成人的招。虽然剧情拙劣，但不否认，动画制作水平确实比10年前强了不少。
过年带小朋友去看的，小朋友没有特别理解，勉强及格吧
本来没啥期待的，毕竟也没听过这个系列。看完超出期待蛮多的。首先画面动作很自然在我看来很流畅。其次笑点挺足的，影院里听到很多笑的，不是那种网络抄来的烂梗。当杨大侠让虎墩先走，自己随后就到。虎墩想起父母和他说过一模一样的话时，瞬间戳中泪点。不过个人觉得煽情的戏份可以少一点
动画人物做的不错，小虎墩虎头虎脑的，光线设计的特别好，用搞笑的形式表现出勇敢克服困难的故事内核，适合过年看。
哈哈哈哈哈，我看出了龙门镖局的番外篇。虎墩人物设计的很好看呀，排除有一些常见的剧情，这部影片还是不错的。那个猪也是意外之喜。
就是跑步跑得比马还快哈哈哈。
已阅，从剧情来说，虽然故事能成立，也比较完整，但是拼凑过于明显。从技术上看，还是略微差点，瑕疵有点多，细节不到位。
后面又蛮感人的！
也就过年合家欢看看，剧情老套!结尾强行年夜饭?!短袖!春节?下雪!连基本都服装也不配合一下。
欢欢乐乐，适合带孩子看，中国风武侠，也没有啥敏感的地方
徒步在山城长街，
客观评分2星，讲述菜鸟是如何乱拳打死大Boss的
影片中的一些情节很有教育意义，比如虎墩为了达到目标所付出的努力，很多时候不是事情太难，是我们的努力还不够
没有啥看点，该感人的没有很感人，反派也很快解决了。节奏比较慢，没有什么缓急轻重之分的感觉（？）只记得了《咻咻咻》和《拖后腿》
连武功这么强的总镖都管不住的虎墩，造成别人这么多损失还不改错，还一直认为自己很厉害不服管教继续犯错，这不是给孩子树立坏榜样吗
这部片可能是春节档里最大的遗珠，排片也太过于低调了。“镖局”“国画”“武侠”“虎年和素”组成的冒险故事，满满的江湖风，有笑有泪又促燃， boss 有反转，细节和包袱促足。第一次发现“神奇拖后腿”’是个好词，回想就觉得好笑。促值得亲子观者！
2.5🌟。很新年、很现代化的古装爆米花电影。。。篡位的剧情彷佛在看喜羊羊之虎虎生威。。。配角有像张飞的还有像光头强的。。
Copyright © 2015-2023 All Rights Reserved
