With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
很轻松的一部片子，就是死胖子一直在黑中国
6分有点过分了，应该值7分。韩国警察的无能导致了黄政民最后的独角戏，讽刺啊。
希望所有在特殊时期瞎逼囤货的朋友们都应该有脑子！
公路旅行讲一堆无关紧要的话题，星期三前面一直都在寻找自己身份认同，性格认同，所以才去塞勒斯·斯特兰奇家里，结果来个反转，Lurch和Pongo早就告诉星期三有危险，告诉了还过去干什么，菲斯特前面快变成章鱼就为了最后打一架，其他三位亚当斯成员也没什么成长，像被捆绑在一起行动，没有角色成长，也就母亲Morticia比较关心女儿，Gomez一直在进行所谓的拯救女儿，Pugsley就是来找伴侣的是吧，奶奶开派对开了这么久有些人物都没变过，这群人玩了多久。
互相翻拍，卧槽，警察好弱智，黄政民一人撑场子啊，政民哥威武，鸡血满满
意料之外的有意思，一个家庭主妇和一个女屌丝的消费券犯罪“帝国”，以《猫鼠游戏》式的结构呈现了一个女性主义的犯罪故事，保罗·沃尔特·豪泽的角色实在是太逗了！
多年来韩国电影中的警察发挥还是比较稳定与正常的，依然愚蠢到家。
前半部改编的很好，后半部分改的可能符合韩国，但略不符合我的预期。
一般啊，章鱼叔叔大战异形博士。。。奇奇怪怪的抱错孩子狗血剧情。。
法律过于宽松不符合逻辑，但是整部电影很轻松，不错啦
不知道有没有人发现，庭审旁观的金发女就是洗钱那个
Completely brainless. Nothing makes sense and nothing is amusing.
[视]小女主与家庭格格不入，寻找自我。人物画风卡通，场景光影一流，插曲Dominic Lewis
挺搞笑的，卖假优惠券居然能赚那么多钱，女主把钱买兰博基尼和枪也太虎了吧，没想到最后居然判的那么轻，而且居然还有没被没收的脏款。
比第一部略强一点，可惜了这一众配音的大咖了！
我知道我值得更多。你很满意你现在的生活？k
3星，轻松诙谐的故事片，生动流畅， 没有说教，没有大道理，看着很轻松，推荐观看。
最可恨的是:居然是真实故事改编
这一部走公路喜剧片路线，歌都挺不错，笑点也有不少，但合家欢的设定就很不哥特了
更欢快更主流合家欢了，失去了原版那纯正的哥特味。但是好看的。
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