Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France.
The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.
我真的好喜欢看Jane·Austen编纂的小说 浪漫至死不渝😭
lucky them...what happens to Netflix quality...
I still prefer the babadook. Hollywood do, is out of fucking ideas.
Jane Austen的爱是奉献，是长久的折磨
老演员回归走了一个，不过结局不错没有让你失望，致敬经典
剧情超级无聊，也不吓人，全程王者荣耀，连跪六场。另，只有我一个人觉得小鬼脸特别萌？呐喊👶🏻
本来想打三星，但看到最后开推土机拆家招牌是中华料理，还有红灯笼就觉得不可以了
韩国电影太现实，贫富差距，人的贵贱差距……
少女与纹身，少女与挖掘机，宁静与轰鸣，种种不和谐因素是对坚强，无力，无奈，反抗别致且深刻的象征，金惠允大荧幕首秀即是满满的表现力不负演剧时带给人的期待。
正视历史时间线，别再在这种题材里插政治正确了，五颜六色的演员等于出戏
影片没有太多的惊天骇俗的场面，平淡无奇的剧情，讲述少女心中的独孤和生活压力下的痛苦，她坐上推土机，做了违背祖宗的决定……
杜威忘漏补刀领取便当，女团极限反杀，又一次政治正确的全新书写。
硬把25年前的旧事旧人再联结起来强行捆绑，毫无逻辑的疯狂杀戮，还把“老人”杜威警长给写死了？大卫阿奎特也太惨了…
Jane Austen的爱是奉献，是长久的折磨
但这部剧里我只看到了似是而非的女权和以自我为中心的轻松
没有一个演技在线的，而且剧情拖沓，反派废话一大堆。
b l e a k 食之无味，弃之可惜。
'You're young. You don't know what the future has in store. You will rally, and you will be happy again.'
三星半吧
用蛮力和顽固对抗倾泻而来的意外苦难与强大势力，以及无法对话的世界，如何？有生命力而不堪一击。因而感到怆然。实打实的三星，篇幅分配让人疲惫，最后简直像保险广告。一星给挨了这么多揍和保持情绪的公主，下次有个更好的剧本就好了。
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