Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
虽说主题和情节都相对俗套，但摄影真的很ok，基本就是我内心希望呈现的现实题材影片的画面风格
家庭片，祖孙三代都有难以释怀的经历，一个直到老年都很酷的女性角色。
有点有趣的悲伤 潇洒的Grandma 经历 了所有 看淡一切 珍惜多姿多彩 在生命最后一刻。
“人生只是一个漫长的寄宿生活”
有点可惜，设定有些强行设定，将樱花与生命连同起来，可是一切发生的太突然，如果剧情传统也没有关系，主要是情感共鸣的铺垫实属有点让人感觉可惜，但
悲观主义者的温情童话，but有些部分男主真是好莫名其妙，还有为什么重生一次连性格都完全不同了啊！
嗜酒成性的英国老奶奶和不社交的孙子。两者把对方推进新鲜事物 故事片
3/5 中岛老师在女主卧室门前那段自白比后面两次痛哭更能触动我。b太演技全场碾压。
也许这就是青春期吧。作为老大爷的我觉得主角的世界真的太拧巴了，社会不会那么单纯的，也没有太多人会在意你的想法
倒计时的漏斗不戳yo
3.5 行云流水的告别 The incredible Charlotte Rampling
不会拘泥于主流的我应该过什么样的日子，而是去做我想要过什么样的日子
“你从小就得到满满的爱，要爱这个人生久一点。”
该死，是谁告诉我是喜剧？却骗了我那么多的眼泪😭
毕竟人生只是一场漫长的寄宿生活，要好好活下去啊！
日本描述此类情节的片子也算不少了，这部算是小清新。感觉自己被忽视，被周遭人嫌弃的高二学生选择自杀，在管理员的帮助下给了他100天时间去调查真相，实际是给他一百天时间和一个旁观者的身份去重新审视自己的人生。每个人，都有人爱的……珍惜人生，珍惜眼前人……
演员演的都挺好的啊，配角出色，女主很可爱.
比想象中好一点 长尾多吃点吧 比女演员还瘦
長尾謙杜真的好好看好好看越长越好看😭19岁演成这样真的不容易…
（不是否定企划本身）我可能更想看无灾无病的普通物语。
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