The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
虽然不是个好故事，但是跟TV比已经是矮子里挑高个了
每个演员都出色完成了表演，摄影太优秀了！在拉丁区看完立刻去Gibert书店买了法语原著重温一遍！
“你想要为大家带来笑容，那么我就为你带来笑容！”
也算是给泽塔补一个剧场版吧…
人人都能变成光，但孤身一人终究无法闪耀—这才是令和迪迦应该承载的主旨！久弥直树给爷爬，根元岁三挺厉害了，能把久弥直树那么烂的TV和特别篇联系起来并逻辑自洽
虽然要带着前辈拯救一下口碑，但是也算成功触底反弹了…
‘每个人都可以变成光，但孤身一人注定无法闪耀。"在个人英雄主义充斥超英片的时代，这种积极正能量的价值宣传值得肯定。本片在致敬的同时又对致敬对象的主题进行升华。
为了decker紧急补了一下这部 就 没啥好补的
大革命时期的傲慢与偏见。
只能说奥圈里只有久弥直树啥用没有，坂本好歹打戏牛，他文武不开花
武居 根元：斯麦路之力 我教你用，久弥直树好好看看。
TV是拉垮的，评分最Low
比tv好看多了，武居和根元永远的神，剧场版才是真正的新生代迪迦
二十出头就一副看尽人生浮华的样子 有点为赋新词强说愁
巴黎是个巨大的、高速运转的车轮，把所有人碾碎了再吐出来。越快得到的东西，失去得也越快。
剧情其实中规中矩，但是比TV好上太多，重要的是演员们处理和表现得太好了，每个人都超级棒
但还是给个五星，期待一手戴卡
坂本是真的只会拍皮套戏
3.0。除了精良的服化道和布景外，全程彷彿翻讀有聲畫冊，毫無電影意識。
个人认为这部剧场版可以在新生代剧场版里排第三
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