剧情介绍

  Daniel Mays (Line Of Duty, Rogue One: A Star Wars Story, Public Enemies) stars in BBC Two's powerful factual drama as Peter Wildeblood, a thoughtful and private gay journalist whose lover Eddie McNally (played by newcomer to television, Richard Gadd), under pressure from the authorities, turned Queen's evidence against him in one of the most explosive court cases of the 1950s - the infamous Montagu Trial.
  More than ten years before the decriminalisation of homosexual acts in 1967, Peter Wildeblood, and his friends Lord Montagu (Mark Edel-Hunt) and Michael Pitt-Rivers, were found guilty of homosexual offences and jailed.
  With his career in tatters and his private life painfully exposed, Wildeblood began his sentence a broken man, but he emerged from Wormwood Scrubs a year later determined to do all he could to change the way these draconian laws against homosexuality impacted on the lives of men like him.
  Daniel says: 「I'm incredibly proud to be part of a drama that tells such an important real-life story. Peter Wildeblood is a fascinating, complex, yet flawed character from a time when being a gay man in Britain was incredibly difficult - I can't wait to bring his tale to life for the BBC Two audience.」
  Patrick Holland, Channel Editor, BBC Two, said: 「50 years ago, it was a crime to be a gay man in the UK. Against The Law is a stunning piece that melds drama and documentary testimony to tell the story of one man, and his wider generation, as they struggled to make society accept their sexuality as non-criminal. It is brilliant to have a film that brings the authorship of Brian Fillis, the vision of director Fergus O'Brien, and the outstanding talent of Daniel Mays and cast to this important subject」
  The drama also features Mark Gatiss (Taboo, Sherlock) as Wildeblood's prison psychiatrist, Doctor Landers and Charlie Creed-Miles (Ripper Street, Peaky Blinders) as Superintendent Jones.
  Woven through this powerful drama is real-life testimony from a chorus of men who lived through those dark days, when homosexuals were routinely imprisoned or forced to undergo chemical aversion therapy in an attempt to cure them of their "condition". There is also testimony from a retired police officer whose job it was to enforce these laws, and a former psychiatric nurse who administered the so-called cures. All of these accounts serve to amplify the themes of the drama and help to immerse us in the reality of a dark chapter in our recent past, a past still within the reach of living memory.

评论:

  • 麴烨烨 5小时前 :

    篇幅不长不短,力度恰到好处,结局也没有所谓的神反转,确实很多巴西电影的灵魂都来自上帝之城,虽然绝无后来人能达到前者的水准,但有这样一个现实积淀的题材库就不愁拍不出生猛的作品,再者,烂片库奈飞也终于出了部能看的片子

  • 轩辕文敏 8小时前 :

    人类啊,适应能力真的强,而最大欲望莫过于金钱,导演讽刺到位,就是好久没看90分钟左右的电影了。

  • 董从云 9小时前 :

    就看看崔岷植没什么亮点,这学生是资源咖吧这都能当男主

  • 钭翰翮 1小时前 :

    最终成为了获得所谓的自由,其他反抗的人,将日复一日成为囚徒。

  • 蒙冰冰 5小时前 :

    怎么中间突然断截一样……前半段的风格蛮喜欢的

  • 逯俨雅 1小时前 :

    社会阶层得跃迁太难了,尤其是在这严重内卷得时代,向上的阶梯注定是用同行者的肉身堆砌。抛去无用的仁慈和怜悯,即便是个工具人也要当最有用的那一个。剥削者和被剥削者的唯一区别在于内心是否燃烧着可以吞噬一切的剥离人性的不惜任何代价都要过上更加体面生活的强烈欲火。

  • 湛今歌 4小时前 :

    劲道还是蛮大的,拍得写实凌厉,演员选得也很生活化。底层的劳动阶级,也是人吃人的社会,要么努力向上爬命令别人,要么自暴自弃任人欺负宰割,最后变成了另一个自己。

  • 高灵秀 2小时前 :

    《七囚》是一部张力十足的惊悚片,讲述如今经济衰退现状的黑暗一面,以及人在其中的挣扎,深入探讨了何为权力、团结和背叛。该电影由获奥斯卡提名的制片人费尔南多·梅里尔斯(《上帝之城》)和拉敏·巴哈尼(《白虎》)制作,是编剧兼导演亚历山大·莫拉托(《苏格拉底》)的第二部剧情片,凭此确认了他作为巴西电影界新生力量的实力。

  • 薇锦 7小时前 :

    究竟为什么这么做,这个问题最后留给黑小伙自己回答。

  • 范姜阳泽 1小时前 :

    前半段对于数学之美的描述,让我想起了以前学数学的快乐时光,热爱就是这么纯粹。如果能不代入政治内容就好了。

  • 潭晗琴 1小时前 :

    师生之间相互救赎,财阀学校就是这么的现实。不过还好有这么一位老师,后期学生也很努力

  • 边芳苓 5小时前 :

    威逼加利诱,即可令人斗志涣散,马图斯还是太小农思想了。看评论里有网友们认为巴西落后才会如此,他们难道不知道黑砖窑、卖淫组织、传销、拐卖妇女的事仍在上演吗,为什么假装看不到身边事?

  • 良振 9小时前 :

    很套路但还是不错

  • 静婷 0小时前 :

    ᐈ如果你想家了,想去看你妈,你可以走了,叫她为我们备好咖啡,等我来喝

  • 谯思菱 8小时前 :

    还行吧,就是感觉剧情有点拖拉就是,一直想让人快进的感觉,后面有被燃到,前面铺垫的时间有点长了,导演如果再精简点,更突然数学上的造诣,会更好 。

  • 蔓琛 6小时前 :

    人贩子市场猖獗,男人做苦力,女人做娼妓。更可怕的是,不知道谁是好人, 谁是坏人,政府腐败,系统瘫痪,警察保护的是既得利者的利益。Marcus最后的选择无可厚非,换了其他六个人,也一样都会做这样的选择,因为每个人都有弱点和自私的一面,也因为现实中的英雄很少很少。

  • 沛林 6小时前 :

    哎,最后成了自己当初讨厌的样子,向生活和现实低了头。

  • 采薇 3小时前 :

    挺有深度的一部电影,尤其是圆周率之曲,真的是太棒了!

  • 练靖儿 8小时前 :

    现实生活里每天都在上演的东西。没什么意思。果然还是宣扬真善美的片子更能匡扶正气。这...

  • 英博赡 9小时前 :

    巴西版《骆驼祥子》!视角是纯西方凝视式的,但因为不了解巴西本国真实情况,无法评价细节真实与否。制片人一个巴西的,一个印度的,也是一种奈飞缔造的世界大同啦。

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