A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
………跟第一部落差太大，一把毁灭的超能力很厉害，但看起来没劲，颜值、剧情，每一个能打的
整的稀碎啊，没睡醒咋地，第二部和第一部就最后五分钟有联系呗？东亚也流行拍X战警？二代试验体虐一代试验体，三代再虐二代？
既然是拳打脚踢的超能力打斗爽片，就不应该磨磨唧唧拖拖拉拉，1.5倍都嫌慢，没有第一部好。
青少年版漫威超英，剧情为特效让步，文戏让动作贬值。积雪的森林不是自由沃土，飞驰的罪恶仍有正义驻足，善意荒原永失道德守护，超人少女只能做回怪物。当飞天已经被写入基因，绚烂的拳脚也沦为炫技；当牺牲成为了混合的产物，人性的氛围并不被憧憬。浪漫的不是那个夜里烟花千树，而是幻想可以平凡过一生的屋檐。
根本不是续集，就是第一部的翻版。姐姐拍一遍，妹妹 一样一样的套路拍一遍。这个S级的人数也太多了，上来就是各种出大招。女个特工女子最有意思了，长的都不错，我有些时候都分不清哪个是女主
编剧是不是换了？明显比第一部不合理的地方太多，也比第一部更玄乎了。第一部女主最后已经够碾压了，这一部的女主简直无敌了。其实如果不是最后第一部女主的出现把故事尽量弄圆点，我都想给三星了。这一部的女主武力值虽然无敌，但总感觉脑子不太灵光。还好子允出现了告诉我们没有舍弃那条线只是多加一条主角线，要知道我可是为了看子允才看的第二部，这么一看不知道要拍多少部了。。还有韩国电影进步那么多怎么就不能把语言这块找个专业人士整明白了呢？这中国话说的不如找几个中国演员演更专业，我是英语不好，我极度怀疑英语说的也不能咋滴。
几个年轻娃娃从头到尾都是一脸的嘚瑟，略尴尬
打斗戏比第一部多，女主也不像第一部那么假装很吊，萌萌少女愤怒起来，好看好看。韩国电影走向世界。
太直白没美感了，知道韩国人战斗力饥渴，越没有什么越幻想什么，但没有战力天花板，故事就扯淡呀
和第一部类似，无聊了一大半之后忽然开始各种爽，预算不够的关系？
像是磕了药的大乱斗，时而高潮，时而寡淡，而且韩影的日常黑中国真的很差劲
第一集起码还接地气点，这直接变仙人大战，用更大规模把第一部重新拍了一遍，但祭出的魔女却没有第一部有感觉，忍了一个半小时有点笨重的剧情，才能享受到一段动作大战的酣畅，最后撂了句欲知后事如何且听下回分解，故事主线还是没怎么发展开叫魔女1.5恐怕更合适，要接着看看后面的（韩国X战警宇宙？）。
黑色的夜，黑色的天空，黑色的西服。預算不夠後的不斷折衷，反正最後也沒看清打了什麼。唉……
剧情薄弱，剪辑稀碎，开头半个小时差点没给我看睡着了，全员谜语人，话里的关键信息就一两句，还混在一大堆废话里面。
不如第一部，但是多了很多笑点，超能力也升级了，第三部可以期待…
这啥呀！除了特效打斗很劲，从故事到演员都一拉到底，开局15分钟就想关了，看完后悔没在15分钟的时候及时止损。演员中文说成这样，居然还有这么大段的台词，导演是不是染了新冠没治，病毒入侵脑干了？跟上一部简直不是一个人拍出来的。
单纯的打斗爽剧，女主明明比金多美强，离谱强的那种！但眼神中缺少了金多美那种你好拽，我比你更拽哦！的那种扮猪吃老虎而且剧情真的太随便太随便了，唯一的让我感觉好看的点第三部的彩蛋和神罗天征、万象天引（不过比第一部血腥倒是真的）
感觉就是把第一部姐姐的剧情，用妹妹的身份复制了一下，只是妹妹比姐姐更霸道 。看样子还是第三部，反正是爽片，有没有第三部也无关紧要了。
看来还有第三部，但第二部真的不怎么样。
俩多钟头剧情如此空洞，出场即是巅峰毫无对手
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