Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
完全失去小马灵魂的作品，不敢相信居然可以把这个IP做到那么平庸，不是因为作为儿童电影无聊，而是作为故事本身就很无趣。
前边当成色情片看的，没想到后边是个悬疑片。不知道女生看的时候是不是也想和那个摄影师来一下，就像女主第一次偷窥时候那个不自觉的手部动作一样：）
本来四颗星，因为最近看多了烂片，五颗星吧。画面很美，虽然是童话但是并不无脑，成年人也值得看。个别场景很有小时候看动画片的温馨感和安全感，这是很难得的。权力让人变坏，以讹传讹容易有大误解，小伙伴同心协力才能其利断金。独角兽的紫头发太白富美了
我本不看好三维动画的，但是这部影片超出我的想象
偷窥之镜，击破隐私，满足性欲，半真半假，以眼和解。
说悬疑，推理全无，漏洞百出；说复仇，太过愚蠢，强行反转；说寓言，凝视深渊，大喊口号。也就剩下美好的年轻肉体博博眼球。
现在看到独角兽🦄️总会想到zmx那个充气救生圈
97年的Sydney Sweeney，真特么棒。刘承羽也不错。JC在这种剧本里只是收尸的。21/09/11
陪小孩看的..没想到还挺大气的，世界观诠释得很好…大人看也不会觉得无聊！“相信真心！”
G5的新开始～M6开场的小回归超棒，歌很不错，五只小马个性鲜明，Zipp还是酷哦。故事留下了很多可以延伸的点，sunny父母，飞船，三个地区以外的世界等等。3D化有利有弊，但没有刚发表消息时某些人那么得看衰。
不适合的需求不一样的情侣早点分开互相放过吧。用不着偷窥。偷窥是在玩火自焚。不会有好下场的。
小朋友很喜欢看。在电影院全程坐得住。虞书欣的配音非常不错哦。
22_005。这电影的重点：女主角的胸很好看，完。(bushi)，虽然很明显的以色为卖点，但看着并不会觉得反感，就是最后的反转用力了没必要，停留在煎蛋那里就差不多了，明明之前也暗示了这么多遍
叙述了小马Twilight Sparkle（紫悦/暮光闪闪）为了执行导师Princess Celestia（宇宙公主）给她的任务，与助手Spike（穗龙）一起来到Ponyville（小马谷）学习有关友谊魔法的知识，在学习和生活的过程中她结识了五位好朋友，并获得了真正的友谊，与朋友们共同守护Equestria（小马利亚）。
可可爱爱，充满童真，讲的就是友谊的故事，但是过程就是又美好奇妙又快乐的，有的时候就喜欢看看这些，动画电影，其实讲的都是最简单的道理，“因为有爱，因为真心，爱才是最大的魔法”里面还贯穿着轻松喜乐的歌曲，听听让人心情愉快，其实我最感谢的是电影里面这些生动活泼的表情，我们戴着口罩太久了，眨眼挑眉皱眉头，这些好像也都不太看到，嘿嘿，和平美好，爱会降临
比较过瘾的一部电影。一开始只为下饭，结果还是悬疑推理。没注重细节，到画展开幕才恍然大悟！细思极恐！你凝视深渊时，深渊也在凝视你！也让我想起楚门的世界！人性的欲望不可测！
剧情无聊。三种族就那么儿戏般的团结了。还有不能把角色弄好看吗，全是些阴间配色。肥的像河马。
这个结局让我没想到……
非常差，除了画面和音乐，真的都很差。这个剧情毫无新意、纯低龄向，几次矛盾和转折都猜的一清二楚——不，甚至不需要猜。而且人物的感情也不够圆满，形象也不够鲜明。非常差！
一个关于猎物反为捕猎者的老套寓言，亮点主要在软色情，亚裔女主还挺迷人的，不过惊悚…在哪里？最后的反转还把格调拉低成一个狗血复仇片
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