Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
乐在其中的不知道是不是皈依小资自以为高人一等的人，评分能被抬到8.3说明打高分的人估摸着心里向往的也是这一阶层的纸醉金迷玩世不恭，仿佛和他们保持一致优越感就有了，看得我如坐针毡…
对爱情内核的探讨也只是小资的隔靴搔痒，到底没谈出什么东西来，文青喜欢这个也能理解。
7.0分（0.5的鼓励分）。今年个人院线片十佳。之前关注过邵艺辉的公众号，知道她会写，但没想到居然还会拍电影，而且拍出了国产片里，除王家卫之外相当稀缺的，几乎是我仅见的欧洲式中产情趣，更难得的是这种欧范还是以上海为前缀。
就……挺差的。处处都是露怯，为了展示这是个国际化大都市电影，处处都是虚假的多样性，假洋人假艺术家假劳动人民假有钱人假男人假女人，问就说其实是在讽刺中产，也没见真的戳到啥痛处，为什么放这么多歌，问就是我想要的就是这个风格，为什么上海没有外地人，为什么你觉得不是中产的要住市中心小洋楼，问就是导演身边生活的都是这样的人，这和当初《伊比利亚派对》的别问，问就是“略略略略略”有啥区别。
更：看到这个评分估计是我误会导演了。
学费里尼最像的大陆电影，甚至有迷影情结过剩之嫌，可是机智的台词和精彩的对手戏实在是赏心悦目。这种以艺术中年为中心的题材放在北京肯定三分爹味七分油腻，但放在上海这种既洋派又有生活气息的城市就显得清新讨喜，至少我不觉得矫情。
乐在其中的不知道是不是皈依小资自以为高人一等的人，评分能被抬到8.3说明打高分的人估摸着心里向往的也是这一阶层的纸醉金迷玩世不恭，仿佛和他们保持一致优越感就有了，看得我如坐针毡…
像是法国的爱情文艺小品。就凭墙上那幅爱情神话的海报也能看出有内味儿了，中年爱情，几个人辗转流连，没有老的小的掺合，纯纯粹粹谈论爱情，微妙的灵，北方人好像也完全明白上海人那股小劲头。遗憾的是儿子不是gay，缺一口气
马伊琍人到中年孩子不大事业有成，结果还得挤在妈妈的老破小，开场先滚一轮床单，又跟徐峥来回过招，人设也挺让人迷糊的。
下半夜回家，在昏暗的楼梯被突然一阵水声吓得半死，转过头看到熟悉的大红色水桶，原来三楼又把那只乌龟放到家门口站岗……属于上海的烟火气啊，这也算其中一件吧～
也就还好吧，虚无缥缈的感觉，营销吊足了人的胃口，看完感觉也就一般，上海的小资，整体更像是话剧的感觉，倪虹洁真灵啊，李小姐和老白后续还会败给现实，
这部电影展示的上海，不是大家想象中的十里洋场、东方巴黎、上海滩，而是真实的、当代的、细腻到生活中的上海。再也不用听一帮北方人、香港人、台湾人硬凹着上海话，讲着想象中的故事了。
近几年见过的最好的关于现代上海的电影。吹爆周野芒！！！！！！倪虹洁的上海话磕绊得恰到好处。小皮匠的broken Shanghainese也恰到好处。台词太好了。太好了。（吴冕和张芝华一辈了😂（有还潮！旧社会顶穷额拧（疯狂致敬费里尼
惊喜之作！清新、灵巧。从女性的视角讲爱情，很多观点输出戏谑又锋利。影片呈现出了鲜活的上海市井风貌。对白处处见机锋。颇有伍迪·艾伦电影的韵味。老乌的爱情故事堪称神来之笔，将遍布全片的细密日常一下盘活了，美妙，富有余味。甚至可以说，那些原本是主角的人包括徐峥马伊琍都成了戏剧意义上的配角，成了爱情神话的背景。爱情是什么？就像老乌的浪漫故事，似是而非，似真若幻，它是庸常生活里的光。结尾对神话又做了一重解构。对活在俗世里的人而言，一个邀约，一点庆幸，暧昧升温，神话降临，于瞬间照亮了琐碎而平凡的生活。
灵啊～好有舞台剧的感觉，两场饭桌戏和美术馆里那场红光剪影戏真是高光；好男人老白、三位女性角色、追逐浪漫的迷弟老乌、皮鞋伴咖啡的哲学家鞋匠，角色都立住了；全篇上海话方言戏又是生活剧，想到N多年前的一些天津话、重庆话的几部电影，这几年没怎么见上映了，值得鼓励
B先生这种自在的杂家不少，现实生活里有几套房休闲做杂家的就不多了。。。
上海人活得可真是精緻啊，把中國當下的後/現代主義演繹得活靈活現，精氣神聚焦於一群仍未泯滅夢想的中年人身上，照進現實的也不只是一地雞毛，也只能在弄堂里巷的上海市井中，才能毫不氣餒和矯情地去探討藝術與生活、性別與認同、本土與外來、代溝與人際這些重要但很難具體呈現的議題。想去上海，喝個咖啡吃個滬菜！【Wanda-BB】
2倪虹洁是有钱有闲嘴上飒晚上只能会所找鸭 上海老阿姨这种一大把 内心干枯 老白你不如接这个盘 最起码心性飒爽
7.5 绝了。一个新人导演作品的城市电影触及了人生，爱情，政治，电影，艺术的多个命题，完成度相当之高，最后弄堂的就是全世界的戏谑表达也是有趣。电影语言稍有匮乏但瑕不掩瑜。
对爱情内核的探讨也只是小资的隔靴搔痒，到底没谈出什么东西来，文青喜欢这个也能理解。
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