You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
刻意凑cp也不说啥了
看到跳楼那段直接哭成狗
2022年第一部电影。非常标准的工业化合家欢套餐，非常没营养不需要大脑但是元旦看又可以忍受(￣∇￣)……说是韩版《真爱至上》实在过誉了，只能给个及格吧，这个韩国演员阵容还是有些白瞎的。
和2020年上映的同類型電影《新年前夜》碎片化故事穿插不同，這部聚焦在飯店展開故事線。劇情尤為平淡，每條線都無功無過，李棟旭元真兒這條灰姑娘線甚至有點多餘，姜河那的角色故事相對有趣些。剩下的就看看快成暖男專業戶的金英光和唱歌的徐康俊了。希望2022年跨年檔電影能夠好看些。
下雪天和圣诞节真般配 我就喜欢这种节日出的一定是happy ending的电影
虽然好像有些无趣，且喜欢的部分的戏份比重不多，那也四星
光洙化身我的野蛮女友那段承包笑点
同行衬托罢了，很多别的作品的影子。
找大同 磨小异 这么简单的六个字乱七八糟拍了一大堆
我觉得是一部很好的片子，不明白评论区为什么有那么多吐槽烂片，看这部片子前我处于情绪波动大+隔离抑郁+感情纠葛期，导演通过四个人的不同搭配方式和她们经历事不同应对方式，让我感受到了导演的用心，几乎包含了所有比较常见的一些情侣间的事件，电影剧情切换也比较有新意，努力克服脸盲后，我被治愈了，我最大的感受就是在面对同一件事情时人们对待的方式和态度才是至关重要，虽然有些时候开端不是特别完美，但两个人共同目标和处理方式才是最重要的，像结尾苹果理论一样，这时候对于我之前一直坚持灵魂伴侣说辞的人来说其实这不是那么重要的点了，我觉得是一部很好的片子，导演通过这样的故事手法来让人感受到的深意，可谓是用心良苦呀，让人充满能量的片子也不是简单的鸡汤文学，爆米花激情电影，挺喜欢这类哲思类片子，希望多一些或推荐类似电影
尽管最后元真儿和李栋旭真的吻得很硬，但看到一大票我喜欢的卡司们还是度过了愉快的两小时。
老了，对这种霸道总裁爱上我的戏码实在提不起兴趣了。
小妞电影一部。意大利真的好美，男演员好有型。
真爱至上真是个好模板，还算合格的节日童话片
这个构思不错，但就是脸盲，几个女主角分不清谁是谁。
剧情温馨治愈，拍摄把圣诞和跨年的氛围感拉足，很适合假期窝在沙发里看。能同时把这么多条线讲清楚也是很棒了。但是，开头演员表就看到了林允儿，等了又等也不见她，到我都忘记还有她出演的时候，她出现了…而且她感情线也挺莫名其妙的…
帅哥美女在好看的地方swtich partner算是partofmyfantasy
看到5.7我笑了，这质量不吊打2022前面那些上映的鬼电影，无流量无经费就靠一部9分的剧本还要怎么样？一部成本几百万的网大电影拿去和几亿的电影比道具比服饰比场景？白嫖党们口味都这么刁？呵呵。
这剧本真是白瞎了这阵容。一星给我志旼，一星给morning call，允儿的声音太好听了
倒也不至于这么不堪，作为跨年合家欢电影timing卡得刚好。华丽卡司，及格线以上的水准。最精彩的是韩志旼和Morning call，韩志旼之我爱上了我的朋友却不敢表白的老套剧情演得不那么无聊，直接闪婚这有些逻辑不通，我最了解你可是还是娶了别人太刀了。最不喜欢的李栋旭元真儿，为什么霸总突然爱上清洁合同工？阖家欢乐辞旧迎新的时刻依然还是有伤心难过想要寻短见的时刻。2021年就到这里为止了，明年重新开始吧！
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