Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
很土，很 gay
一些网大都比这个拍的好，故事节奏不对，浮于表面，建构的烧烤对决没让人信服，演员一个比一个碍眼，镜头偷懒，场面调度重复利用，景别不紧不松，一遇调度就固定，长焦叼短腿，没事瞎荷兰角，极差的摄影让原本贫瘠的故事更是雪上加霜，不细心的道具多处不合理，烂剧一个
笑点在线，低俗套路，腾讯推的是下饭神剧，也确实很下饭呐
2021.11.28 一般般吧，还是格局略低，有点好笑，没了。
我最喜欢的歌舞片类型，现在不流行了。小男孩唱歌真好，很有表现力。
烂片，三观不正。儿子一心搞死爹，老头捡的年轻人转身成为对手没有任何吐槽，年轻人除了学习好，一无所成还家暴。
还可以吧，东北不能失去烧烤，就像西方不能失去耶路撒冷
已经对东北喜剧宽容到不尬就是好看的程度了 真的是那句话 全靠同行的衬托哈哈哈
歌舞还是传统百老汇室内剧舞台群舞风格，而剧情更接近校园美剧（小学生，初中生）类别，故事情节有些老套。。。还是老问题。。。剧情和歌舞还是有明显割裂感，而且歌舞比重过低。。。只能称之为故事片吧
崔志佳自导自演了一个不错的片，秒杀一众东北片，我被崔志佳圈粉了。
简单纯粹的一部青春期励志剧 那些给低分的你换个角度看就不会那么评论了 毕竟定位不同，ps：小内特太可爱了
很轻松的喜剧片，经典的东北小品风，一边吃麻辣香锅一边看的，很下饭
好比旅游到了某某地，唉，我来过了！但再也不会来！！！
不把它当作院线电影的话，也就没有那么糟糕。
作为网络电影无疑高出水平线的，如果主创们能够将孙越这条情节线融入到故事中将会更成功。
这电影就是一个加长的小品，还没小品好玩。。。这再一次说明了一件事儿，那就是电影不是谁都能拍好的，好些演员都觉得自己观众缘好演技好然后自己导个电影应该也不错，但真不是这么回事儿！
很不错的相声想象类电影，加一星给以鼓励，里面除了烧烤老爷子是有演技的，其他都很业余，不过还是感受到了诚意，笑点也可以，希望能再精良一些
想想我是为什么下载这部“电影” 再想想为啥有人要拍这部所谓的“电影” 看在只有1个多点小时的时长，换个口味就看了… 特么的… 只能说太年轻… 这题材是真的“小了”… 硬拗…就硬拗…人物设定啥的？我呸！ 哈哈😃我收回我说的话…让他拗让他拗 卧槽 烧烤四大才子吗？我丢🙄 挖槽～烧烤时尚F4吗？我丢～ 致敬食神我真的笑了😊 哎哟喂 归来仍是少年啊！这价值上的，颇感动颇感动 得嘞！加一星吧…是一部有“诚意”的喜剧 小旋风这个👆🏻梗算是整得明明白白呢🤪
轻松欢乐的看完了，别求内容和意义，浪费时间解压用还不错。
7. wss的梗玩了好多次我真的會笑倒。 有趣老套的追夢故事加上是不是讓你awww一下的溫情橋段。Joshua還是演戲吧，寫歌你還是慢慢來啊。
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