◎译 名 太极门
◎片 名 Duel at the Supreme Gate
◎年 代 1968
◎国 家 中国香港
◎类 别 动作/剧情
◎语 言 普通话
◎字 幕 英文
◎IMDB评分 5.9/10 (11 votes)
◎IMDB链接 http://www.imdb.com/title/tt0884747
◎文件格式 XviD + MP3
◎视频尺寸 608 x 256
◎文件大小 1CD 49 x 15MB
◎片 长 01:31:06
◎导 演 袁秋枫 Qiufeng Yuan
◎主 演 雷震 Kelly Lai Chen ....Sun Tai Yong
乐蒂 Di Le ....Yuk Bin
张扬 Yang Zhang ....Nam Chee
周小来 Siu Loi Chow
郝履仁 Ho Lee Yan
石坚 Shih Kien ....Kuan (as Kin Sek)
任浩 Ho Yam
◎简 介
After a troublesome misunderstanding with several students, Bin
receives the pill she needs from the Sky King's senior student
Chee Chun Nam but returns too late to save her master. What's
worse, it is revealed that she is actually the killer's daughter and
therefore can no longer reside at Supreme Gate as a clan rule. Even
defending the clan from a challenge by former clansman Sun Tai Yong is
not enough to persuade them to let her stay.
Bin becomes an unarmed outcast but not for long. Nam, who has trailed
her all the way to the Supreme Gate, has fallen in love with the
distraught swordswoman and offers her a golden flute sword for
protection. She next is warily convinced to join Yong in meeting her
real father who locks her away with the stolen clan items when she
refuses to join him. Bin escapes and attempts to return the weapons
to her clan but Yong intercepts them. Furious at his daughter's
actions, Kuan goes on the warpath. He strikes Bin with his deadly Icy
Press attack and stalks off in search of Yong and the stolen weapons.
From here the story takes on a more interesting dramatic turn as Bin
recovers with the aid of the Sky King but is left blinded by the
attack and unwilling to accept aid from Nam. Through various dramatic
turns, Nam refuses to give up and finally tricks her into accepting
his care. He eventually trains her to adapt her swordsmanship to
fighting blind. This predictably comes in handy when she returns to the
Supreme Gate to once again aid her former clan folk by dueling the new
master of the Magic Mirror, a weapon designed to blind its victims with
bright light so that the attacker can use the dagger-sized Golden Sword
to break though their defenses.
ps.所以fiet最后是成为家庭主夫了嘛？
极简主义的摄影，宗教般神秘主义的构图，彰显出强烈的隐喻和张力，每一帧的画面都令人折服。
大屏幕看肯定更震撼，黑白光影对比的几何感非常美。故事的话，害，大概的已经知道了所以没有特别意外的。当话剧看可以。台词押韵，有的比较文学化，但是讲得太快反而有点搞笑了。不知道慢点讲会不会观赏度更好且更方便听懂。没看过原作的我是这么理解的：人都有黑暗面吧，就怕诱因。一步错百步，最后覆水难收。这不悲剧才怪……
莎士比亚这部经典戏剧已搬上大银幕很多次了，这部最新版肯定不是最好的，却是最有创意的一部改编。极致的光影美学提炼出极简的舞台感，也为展示人物的心理和欲望提供了广阔空间。对白依循着古典的晦涩感，却在奥斯卡影帝和影后两人的精彩演绎中迸发出奇异的吸引力。最大胆是让众多黑人演员出演，立刻打破了莎士比亚原著的白人意味，流动着紧贴当下的种族平权意识。
骁勇善战却战不过心魔…舞台剧味道的演绎，而Mrs MacDuff演技太差劲了…
苹果牵头联合A24一起搞了这个片子，该怎么说呢，今年的奥斯卡提名片看的越多就真的越不能不说：好莱坞真的没东西了，(尤其是好剧本)。
不带滤镜去看，开了1.25倍速，故事有点无聊，演技也浮于表面，没什么记忆点。
用现实生活中的建筑材料来模仿舞台上的效果，有点像《歧路旅人》这种用精美的3d画面模仿2d的游戏。看了一半开了中文字幕，因为真的听不懂。
看的生肉。整部影片就是把糖喂到观众嘴里了，剧情就很一般噢，不过有戳爷的颜值在，什么无脑的剧情都能hold住。就是他的那个女性朋友似乎有点多余，实在很难理解兼职女中学生和家庭主妇在办公室接吻偷情，当然了，大家都觉得not a big deal.
具冲击力的布景，极简，黑白镜头下一切显得那样的惨兮兮。但是表演、台词和运镜都太舞台化了。
史上演技最好的麦克白与麦克白夫人，摄影绝到无话可说，极简主义打造的黑白布景将舞台剧效果拉满，然而最大的感想却是——科恩兄弟解体了？！
科恩嫂什么时候重回舞台？喜见Bertie Carvel
所以爱思特为什么要离开？剧情后半段不理解，但是画面很美，配乐很赞，戳爷很美，只能给风景分了。
2190。两年后还在说热恋期间的情话，感觉太假了。后面20分钟全是拍摄花絮，有什么意义？拖时间骗钱？
HIV+LGBT，好喜欢配色T-T看预告像喝着罐装汽水 吃着起司空心粉 骑着单车 路过街角杂货店扭蛋机那一筐五彩斑斓，商业精心包裹下的清新（伪）青春
是不是每个天才导演都想挑战下莎翁剧，不过有黑泽明的珠玉在前，科恩这个形式感玩儿得稍显呆板，完全把精力压在了构图摄影这些技术层面上，文本和人物就没什么创意，华盛顿挺卖力但不对味，身上没有暴君感。
“等待不是放弃，并且要挥起fuck hand！”我们都会有wonderful life！
白人、印度人、亚裔、黑人、犹太人、宗教、男同、女同、艾滋病毒携带者、爱情、友情、亲情。这是一部集各类政治元素、价值元素、电影元素大全的电影吧。
“我厌倦了等待真爱”
我何德何能被大数据推送了这部乱编？王德发…这不麦克黑吗，别以为整成黑白滤镜就认不出来你了嗷，你家苏格兰王操着一口美国嗨人口音？抛开这不谈，讲道理，做“旧成”黑白复古真的很矫情……
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