With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
放荡的女生、冲动的男生、无缘无故的吼叫、淋漓尽致的性爱、在暴雨中奔跑、在酒吧打架、在海边谈心、在家里躺平，便是日剧里的青春合集。
菲拉萌蠢萌可爱，时间花挺有创意，小狗变坏太突然，热闹中把故事讲完还带有中国元素不算太差
1.剧情还是挺好的，动画特效不错。里面有个场景是上海自然历史博物馆，去过所以熟悉。就是传统的故事情节，胜利还是属于胜利✌️，被小动物的友情感动，配音版就是接地气。
没去成辽宁博物馆，改成酒店楼下看电影。一直抱着探究“这个电影到底是不是国产”的心态在看，盲猜主创应该是外国团队，虽然国语配音很牛批了。
故事源于生活，消沉的女作家，靠颜的男封面，一起踏上神秘小岛，过河滩爬悬崖斗反派，一路斗嘴耍宝，毫无意外的感情升温。
对低幼动画原本没啥兴趣，冲着中配看的，所以原本没啥期待，但是可能因为本来也没啥期待所以看完意外的觉得还不错，无脑纯打发时间看，很合家欢看得我还挺开心的。整体打分三星半。很喜欢马老师配的腹黑大boss小白狗，前面卖萌装无辜和后面掉马还挺反差萌的，还有宝木老师配的爱德丧丧的也好可爱。看到片子中有很多中国元素，就怀疑是不是国产，结果一搜，果然是中美合拍的，剧情还是有点皮克斯那味儿的，虽然编剧还是老外，但是实在太烦以往国产儿童动画电影动不动就说教了，对于国产来说这部从头到尾剧情不枯燥不说教就已经算是不错了，因为这个可以多加半星友情分。
该片旨在通过案件当事人现身说法，法律专家以案说法的方式，让广大师生家长接受法制教育，使全体学生在潜移默化中养成“敬廉崇洁、诚信守法、勤俭节约”的道德观念，树立正确的世界观、人生观、价值观，积极构建学校、家庭、社会＂三位一体”的廉政教育网络。
以及不能理解 是个⭕️的生物
4. 全片太多对白 又夹杂了诸多英文梗 换皮泰囧做实.
敢于去爱和迷茫的青春期，连疼痛都带着胶原蛋白的缓冲。
一百分，各方面都很优秀，孩子看的特别开心！
科普有些地方硬了点。不过既然做科普，为什么渡渡鸟要搞错成多多鸟呢？编剧既用功了又没用到位。
萌即正义！！太可爱了马阳阳的小白可爱得我要晕过去了！最后爱德居然和朵蒂好上了是我没想到的哈哈哈哈哈哈哈哈
还挺有意思，制作很好莱坞，如果人设造成长毛的油饼可能会更中国化
片尾曲还不是big energy 的remix 版…
比起宫崎骏那些是比不了，但是算是比较优秀的小电影了。孩子难得喜欢，我也不觉得特无聊
追う/振られる/追う/逃げる/付き合う/バイバイ。俺たちその時どうすれば良いかな
男凝重，叙事风格割裂，还原了漫画难看的部分。为了歌看的，结果真的只有歌可以。
儿童向动画片，结构完整，逻辑自洽，节奏恰当，情节详略得当有反转，人物性格鲜明有成长。爱德竟是最大赢家，拯救族群、巩固亲情、收获爱情与友情。O妹是个可爱的惹祸精，冲动又勇敢，还是个不折不扣的兄控。谁能想到这么可爱的白颂德，居然是白送的，还是大Boss！5岁智商的浩宝其实是个团宠。
能够预料到结尾的drama故事和床戏是最难拍的。但是电影后半，台风过境的戏可以称神。bgm配上跟随着女主随风飘摇的手持镜头，让我想起sunny day service「苺畑でつかまえて」的MV。
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