Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
我果然还是不喜欢这片子。一点亲密关系的感觉都没有。而且作为一个BL作品唯一一个亲亲场面还是借位，真的很没有诚意诶！（摔！不过两个人看着还是挺好的，赤楚卫二真的很可爱🥺。非常完美的发展。意识到想公开对方是最自己的人生伴侣，以重要的身份陪伴对方度过人生各种场面，见家长。我一度以为要拍他们俩去涩谷登记的场面。要是真有的话就有现实意义了，我会加星的。可惜并没有啦。
赤星笑死我了 哈哈哈 结局有点感动惹
机缘巧合下发现了这部2022的新作，前半部分本来以为会像上一部一样继续拉胯，结尾的转折还是给人以惊喜。虽不如第一部，但是也算是续作里的转折之作。
这个系列继续下去，别完结。另外，这是三浦春马的最后一部电影了吧
ma酱变瘦了，真好看，东出渣男怎么还在啊？没他这IP真不会死好吗
熟脸看个春晚式合家欢也挺好。想念结子姐姐。
第870个“想看” 来标记晚了 今天4.8 首映日 已经看过剧透贴 无比期待能在银幕上看到的那天 等一个澳门上映消息 6.9 今天在澳门看了两场 ˃̣̣̥᷄⌓˂̣̣̥᷅ 梦想实现 两次都是结束时没人起来 听完片尾曲才走 详细的观影后续再补
看到所谓的国际刑警出场就知道这才是大鱼啊……没办法，套路已经摸熟了。
棋逢对手，高手过招。老师傅出山了。长泽雅美不再是少女了，故意卖萌，装可爱，只会觉得浮夸和做作。
就，粉丝向吧，当是随了份子钱。1.想说黑泽演技不行，但是想想他那个人设本来就很悬浮。不过没想到他家里更悬浮，几乎空无一物，一家子假人。2.出柜所谓的困境也解决得順調すぎる。3.安妲己的爹的演员长相更适合演他发小的爹。4.对吻戏拉灯床戏没有执念，毕竟全年龄向本来也不指望什么。5.omoinotake已经成了bl映画专属唱将了么我有一颗星就是给片尾曲的
这部不怎么样，强行反转，故事不强。好想去马耳他
中间开始回溯剧情的时候我以为就到大结局了，结果才到一半，啊胡子男这次的歌也没有Pretender好听，还有熊猫在哪里啊？我怎么没看到啊！
已经毫无悬念的猜出来最后你们还是你们，只是多了一些不为人知的小猫。
比较粉丝向，虽然赤楚还是很可爱但中间一度快睡着
5）一看安达工作不像话的样子 冒火
这种悬疑的反转真是能把坏人变好人，把死人变活人，完全没有逻辑可言。当喜剧片呢笑点不够，当悬疑片呢就是一骗子，搞了半天全是演员，最终只能当作长泽雅美的美颜片看了。
莫名其妙的阿部宽竟然真就是一张照片。以及永远活在彩蛋里的生濑胜久实在太好笑了哈哈哈哈哈。©️达子，永远不会出错！这部也是出奇地好看，希望这个系列可以一辈子拍下去
对这种电视剧衍生电影彻底失去尊重。。纯圈钱
老套路，但还是很好看
虽然……但是……这个系列每次能圆回来就还行，反正都是闹着玩，够欢乐就好。
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