The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
作为小成本枪战动作片,质量还是可以的,虽然剧情弱一点,全片都是在一个关押恐怖分子的小基地里进行,也没有大规模的枪战场面,不过前期有一定的真实感,也还是有可看度的。个人觉得影片质量给3星6.8分到4星7.2分都可以,我愿意按照高一点给,我给4星7.2分!
不错,长镜头一气呵成,可惜剧情有点简单呀。
没什么太大毛病,也没什么高大上的设定,最扯的就是给美国人打着反恐口号找了个原因:维护美利坚国内安全。
一镜到底是牛逼啊。但是镜头晃来晃去的,看着稍微有点晕
还是老套路的英雄片,场景简陋也不精彩,只有一镜有点特色?
来劫狱的人是源源不断,起码有几百人,但是仅仅一辆卡车送来,这不科学。
很不错,不是剧情,是它的题目,oneshot,一镜到底的意思
出乎意料的好看,看得出成本低,但导演和几个主要演员都是用心了的!一镜到底很赞!
短小精悍,干脆利落,故事简单明了,就是一部爽片,回归动作电影的本质。。。
they wasted the shit out of the production...clearly, you can't make up a formula of Nolan's and copy that
【B+】导演对于镜头的调度还是有一定能力的,全片动作戏干净利落、拳拳到肉,「伪一镜到底」也使这个小成本影片获得了不错的观感。
一镜到底成了累赘,镜头语言弱了,故事也是弱的不行,写实也算不上,真的很无聊。
剧情硬伤过于明显,一开始就亮照片哪儿需要搞这么多麻烦事,监狱长就因为老婆死于911就弃整个华盛顿特区人死活而不顾也不许带走嫌疑人去找炸弹。不过长镜头枪战非常可。
想起当年致命魔术的休杰克曼,确实早就该离开金刚狼了
没什么太大毛病,也没什么高大上的设定,最扯的就是给美国人打着反恐口号找了个原因:维护美利坚国内安全。
这就是一个三流电影团队出来的效果。他们已经很努力,观众都能看得到。采用一镜到底的拍摄方式,故事既结合热点,又有激烈的打斗场面,在观点上讲究平衡。然而总觉得缺口气,逻辑上欠严密,细节上很粗糙。导演过度突出主角光环,给了其过多的打斗场面。本来应该干脆利落,结果拖泥带水,让观众着急。
上一部看一镜到底的电影还是1917,当然是没法比的,不过还行,可以看看。
they wasted the shit out of the production...clearly, you can't make up a formula of Nolan's and copy that
小成本电影,主演的战术素养是全片的唯一亮点。
两难选项~~沉浸的游戏感自然会牺牲叙事,因为后者需要抽离和精简,而刻意在连贯动作中插入情节,又会显得不可信。两个可以加分的点,袍泽之情和电车伦理如果再加点力度,节奏再松一点,效果可能更好。
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