Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
碾压式的打斗毫无意义，跟第一部一个模子刻出来的!
第一部是腹黑御姐扮猪吃老虎，第二部是吃货萌妹无辜眼神杀死你，第三部又会是啥样的萌妹呢。最后，求第三部不要再说中文了，真的听不懂。
还是第一部好看。听到那普通话我差点没绷住。
除了打斗特效 一无是处 稀碎的剧情 稀烂的演技
中文说不来别说好吧，非找几个韩国演员搁那儿硬装中国人，这中文听着难受死了，说的啥呀这是（不过有一句“叼都不叼我们”还挺像那么回事的，就是发音不咋地）
这种片需要文戏吗？40分钟纯享版烟花大战就得了
新演員可能還在發聲練習的階段，要他們說中文。呃……
节奏太慢了太慢了，跟上一部简直没法比，角色塑造也很离谱，女主角完全没有成长线，还不如那两话痨。
基本就是第一部的复制版，反正也是姐妹设定，两部女主状态基本一样也能圆。可是依然是铺垫太多，打斗戏太少了。不管里面饰演中国人的演员口语如何，起码打架都戴口罩，说明咱们防疫确实做得好，这也算是文化输出了。哈哈哈。
2022.07.28观于北市。说实话，不如看记忆深处火山高校去，那是多少年前来着，比这符合逻辑，流水账吧，第三集怎么编。
抛开更换女主不提，相比第一部的主动复仇，第二部的被动逃亡逊色不少，加上中间一段尴尬老套的感情戏来铺垫女主最后的爆发，实在乏善可陈；血腥打斗仍是看点之一，但武力值相比第一部有明显的膨胀。好歹最后金多美的出场把两部联系在了一起，不知道后续还能否拍好
发现有2才去找1看，幸好先看了1，一如大多数人所言，2比1差太远，本来1铺垫得还不错，非得转个主角重头来，而且脑洞开得太大，法术比复联还牛逼背景交代却太单薄，看起来就太假，有点往僵尸片靠的感觉，浪费了。6/10分
和第一部类似，无聊了一大半之后忽然开始各种爽，预算不够的关系？
纯纯的商业动作杀人奇幻血浆片，韩国在类型填补上也是可以了。
直接快进到一小时四十五分钟 看怪物大乱斗就好啦
这一部应该走搞笑路线的，魔女2号，鬼佬和Chief二人组都有这个潜质，可惜后面杀疯了
装逼失败！上海土偶讲中文我也就忍了，后来发现他们彻底来搞笑的，这种身经百战的杀人机器也会怕死？
特效有点拉...如果cg跟不上剧本...就该考虑不要扔车什么的啊...太容易露底...
这是什么啊🆘都演了些什么啊🆘一看导演居然还编导过《新世界》我差点没背过气去🆘到底是怎么回事啊为什么要拍2啊🆘我真的求求了🆘特效都开始模仿与神同行的瞬移了，但人家是神啊，你一堆改造人，搞得又假，装什么装啊🆘这槽点多得都给我看笑了是真行😣😅还有那堆中国人都听不懂的中文对话真的尬飞了好吗听我说别讲了，看你们讲得也不舒服我听着也不舒服，明明人设也会讲韩语到底是为什么就不讲呢🆘就这么自信吗胶泥🆘
这女主更离谱，
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