A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.
If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDb:
I have always wondered about the disappearance of "Deluge". Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams & Co., I'm still puzzled, but I have a theory. In 1933, "the code" was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, "Deluge" does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy "Convention City". It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.
细思极恐，脑洞大开的反乌托邦题材。不错的题材。摄影采用阴暗的画面，为了让观众把注意力放在剧情中，而不是欣赏风景
结局稍有遗憾，我还以为她会继续继承sarah的新生活呢，没想到是和他给sarah用的心理战术的人说的一样痛苦的活着，悲伤的承受了
因为凯伦吉兰和亚伦保尔来看的，过程中就感觉非常像《自卫艺术》，都很冷静，平和，没有非常突出的高潮部分，有一种很认真的在给你扯淡的感觉，极具黑色幽默。结果一看导演，还就是同一个人。
女主成了替身的替身！创意是好的…就女主像机器人一样背台词…
还是很吃Riley Stearns的幽默感的，完成度不如The Art of Self-Defense但是格斗训练和full of hell都还在，还有点Lanthimos的意思。配乐全程惊艳，片尾一看原来是Emma Ruth Rundle 🖤🖤🖤
压缩下拍成短片就好了。。结尾很思辨，我是我我不是我我又是我
这都能送,我一看递过来水下意识就想不能喝啊,这心也太大了
问题1，copy为啥哭呢？是因为她也腻了妈妈和男朋友？还是为original的死感到难过？
克隆人之所以还没出现，就是因为可能会存在这些问题。
给个三星，剧情简单来说就是聚焦科技发展对人伦道德的考验，有黑镜那意思但还差得远；
一般水平，各种元素都有，显得有点凌乱了，反转有点硬。很多需要洗洗雕刻，都没有处理好。
第一感觉是复制人活下来了，但讲不通为啥要冒充本体。幸存下来的人没有必要隐藏身份。所以是本体活下来了，在男友和母亲的反应中意识到自己活在了复制体的影子里。
比起自卫的艺术，属于是我无法get到点的黑色幽默。
里层 发现男朋友和妈妈是谋杀共犯时 观众看到的是强化这种对人的物化 你爱的不是人 而是他的特点 当特点可以被取代 改变 人本身也就不重要了 而理解的翻转也没有推翻这层控诉
结局不用猜，本体胜。为了欺骗母亲和丈夫又要演得有点像复制体。
自己爱人、亲人比较起来更喜欢克隆人而不是本人
条目图片区有剧透，实验室的故事挺好，导演编剧提莫塔哈亚托
前面很不错，结局有点突然和欠味道。凯伦·吉兰好像没以前好看了。
看得出导演非常悲观，但真到了生命体可以克隆的年代，人的情感都能被替代，人都不在是人，只是一个个“工具”而已
所以，最后的到底是谁呢？是不堪生活之重的复制体，还是假装不会开车的内疚本体呢？
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