Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
真的好想这部剧全是金多美啊，中文讲的真的别扭，感觉还有魔女3，真的拜托编剧了，长长脑子吧……我谢谢你了……
有几个非动作桥段的氛围营造还是不错的，不过为啥就上海人要戴口罩，是在讽刺什么吗......
笑尿了，这部更离谱，只要出场就要装x了是吧？动作戏根本没法看！那几个家伙干着架还戴着口罩，防控意识果然很强啊！建议朴勋政跪着看看《钢铁之躯》和《超能失控》是怎么把如此云端的遥不可及的超能格斗落实出物理感的吧。这片其实女主很好做人设啊，以原始杀戮为本能的魔鬼行径与对外部世界保持纯洁好奇的天使脸庞，这种强反差本该百分百拿捏的。
和第一部的优缺点问题差不多。制作的水平不差，但俗套无味的剧情和冗长枯燥的节奏令人着急。别拍了，求求了。
剧情太碎没有重点让人疯狂快进，文戏充满了脏话和故弄玄虚，那个龙斗的戏份又臭又长，这是给编剧塞钱了吗？打戏倒是让人直呼神奇，就是碾压级别的没啥期待性。这第二个魔女空有武力没成长性，是怎么凑够2小时17分的！可恶！
比起第一集，这集更像是终回的序曲。比起姐姐，妹妹就像是克隆出来的增强版，“人味”基本没有了，编剧好像也无意去体现，像姐姐角色那般有个转折，妹妹的出现就是为表现不科学的暴力力量而存在的，角色塑造基本没有考虑。
臭长臭长的前期铺垫，不仅没有讲好故事，也没有搭好角色，剧情更是和第一部丝毫无差。逗谁呢？？
第一部科幻 这一部直接玄幻 看那意思要整个三部曲啊
新演員可能還在發聲練習的階段，要他們說中文。呃……
虽然是3分也是因为对比第一部！对于国内来说，还真拍不出来！
背景布置得挺好，打斗也十分华丽，剧情却纯属扯，战斗力也崩坏了，各个比超人还厉害，就是为了爽而爽。
怎么做到在第一部铺垫的还可以的情况下让第二部这么无聊的。韩国人民流行装逼式表演，日本人民流行嘶吼式表演。还有那个一言难尽中文配音啊...我严重警告你们，这已经可以上升到辱华的程度了。
说着蹩脚中文的傻冒们被韩国怪物虐杀，呵呵…
续集必败呀，尽管没看过1，仅靠血腥暴力动作场面撑着，顺便吐槽一下中文，就不能配个音嘛。
这《龙珠》加《火影》加《超人》的打斗真的有点太过了，而且个个都是金刚狼，被刀捅，被枪击，被断肢，过一会就恢复，这还打个屁。剧情即普通又混乱，阵营关系交代不清，是敌是友就是一顿干。
魔女超女宇宙开启，当爽片看了，完全没get到主线剧情的点，脸盲认不清楚，车里的大姐和最后叫妹妹是一个人对吗？是一代魔女对吗？只有她中文还行
打斗戏比第一部多，女主也不像第一部那么假装很吊，萌萌少女愤怒起来，好看好看。韩国电影走向世界。
第一部惊艳的是魔女的打斗戏，开创了一种火云邪神式的碾轧打法，第二部不说这个剧情了，五官都没办法演这个打法。
魔女1令人惊奇，很大部分源自角色的反套路设定，即使故事人物都极其单调，但仍有一种磁性，可以说是一部“高颜值”影片。以至于期待了魔女2很久。2拥有更复杂的角色阵营，但只是好莱坞爆米花里常规套路片一样的耍花枪，画蛇添足，故事上也比1更复杂，但没有带给影片更深厚的内蕴，反倒令叙事松垮。
动作戏场面较第一部更弘大，
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