剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 庆新冬 4小时前 :

    5.6/10,一切都显得那么莫名其妙,无缘无故。

  • 居夏青 9小时前 :

    就像看短篇小说,尽管知道套路和结局,但是就是一口气到底

  • 彦帆 0小时前 :

    两个小孩外加伊桑霍克的演技在线,男孩总是比女孩成熟得晚

  • 天琨瑜 0小时前 :

    小演员们真可爱啊!!!可是Ethan Hawke 这个角色怎么这么无聊?!

  • 左依秋 4小时前 :

    低幼弱智版恐怖片,一个毫无水平和悬念的电话时空阴阳链接,最低级最简单最无脑的托梦特异功能成为了破案的线索。前半段一度令我认为导演另有高深的安排,原来真的是我高估了,这6.8分有点虚高了吧。

  • 壤驷博裕 0小时前 :

    Boys help boys. 流水账电影。基本没啥细节,反派背景都没交代清楚。

  • 招兴旺 5小时前 :

    … … 無聊 有一種原著小說應該比這要精彩的感覺 「腦袋裡能想像出情節文字化的閱讀體驗 然後放在影片視覺裡,頓時就寡淡了呢」

  • 媛妍 3小时前 :

    这个音效弄的我被吓到了,妹妹演的气质好棒好喜欢

  • 战兴业 5小时前 :

    跟预期相差好大 前半部分平淡又无聊 导演还要故弄玄虚 后半部分主角囚禁也没什么意思 结尾男主反杀算是电影中为数不多的高潮了 就这也能R级 一点也不恐怖 也就一两个jump scare 而且剧情真的好随意 好多地方也没解释 黑色电话的来历 妹妹的通灵能力…很难想象这么点东西是怎么撑起100分钟的

  • 千立果 8小时前 :

    “你说,总有一天我得为自己而战。”

  • 妍锦 8小时前 :

    剧情整体来说比较平庸,没有多大亮点,其中的逻辑漏洞也有不少,剧情推动上有些刻意,故弄玄虚,女孩的意念找人有些荒谬,最后男孩把反派弄死的场面感觉有点假,整体有点像模仿「小丑回魂」的感觉,但还是东施效颦了。总体来说,既不恐怖,也没啥可看的地方,伊桑大叔也基本上没露脸,一般般吧。

  • 井振凯 4小时前 :

    怪奇物语的风格,孤独版的小丑回魂,前面有点意思,男主进入密室之后剧情就有点让人捉急了。小女孩飙脏话挺厉害,以为会去救哥哥呢。

  • 仰志专 4小时前 :

    密室逃脱线索直给到空虚,如果编剧都能有最后线索串起来那段的敬业水平,应该是个四分电影

  • 婷璇 3小时前 :

    反派图啥?折磨小朋友?小男主演技很不错。长得像是年轻版的Sean Bean~

  • 慎平文 7小时前 :

    前面看着有些懦弱

  • 司马芷珊 5小时前 :

    通灵的电话以及妹妹的梦境都没有怎么解释。男主自救属于是前人铺路?

  • 左丘和怡 3小时前 :

    内核可以的,但这神神叨叨的叙事,实在难看。

  • 厍茗雪 4小时前 :

    整体质感不错,没对超现实部分做出解释,有利有弊吧。

  • 寒怡 9小时前 :

    后面反杀的片段好爽,但如果没有通灵电话这一设定,后面剧情直接就不成立。结尾如果是黑暗结局或者寂静岭式结局没准更好(但好像更浮夸了点)(6/10)

  • 屈刚洁 6小时前 :

    中段开始就毫无悬念了。这片要是能像暗黑那样,比如凶手就是主角自己,或者几个孩子被绑到不同时空去,再叠加电话和不同年龄的声音,可能会更有意思些。

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