Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
还可以啊，阿金斯是中国人的话，在演绎事业跟吴京有的一拼！全程无尿点，虽然剧情不完整，续集 二击 走起，哈哈😄
剧情挺硬伤的，一开始告诉他妻子怀孕就没那么多屁事了，女主也是自找的，硬是要拖到临死前才说…
一镜到底的爽片，阿金斯的动作戏和枪战戏都很精彩
前面的动作戏还是很有战术素养的，但后半部就太假了。一敌五十，神一样的存在。
紧张，专业，刻板。阿金，当代影坛最猛白人影星，就是不知道以后会不会和郭达斯坦森一样投入好莱坞爆米花的怀抱。
拉一下分数 战术细节到位 人肉炸弹客的表演也很赞 一镜到底的叙事方式也不是仅仅形式化那么简单，有精巧的设计过。
海豹小队到关押恐怖分子的基地提取一名犯人，一大堆恐怖分子突然来袭。小成本一镜片，虽然风格不是那么凌厉突出，基本没配乐，没长焦全景，视角还经常变换，拍成这样也很不容易了。瑞恩的戏份也太少了。★★★☆
老斯一如既往的低成本，枪战居多，打斗部分太短看的不太过瘾，本片仅花了20天完成拍摄
这片子真是一个亮点都没有，情节老套，演技生硬，不知所云，吴彦祖不是古尔丹就是毒品贩子，亚洲面孔在好莱坞果然不好混
电影后三分之一都是男主角个人秀，结尾草草了事，正如开局
的确是一镜到底，然后就是枪战枪战，特种兵对战恐怖分子，没有太认真看，所以剧情我知道的不是太清楚
强国有抗日神剧，米国有反恐神剧，谁也别笑谁。一镜到底不是盖的，可以，真有必要吗？
不得不说，影片的沉浸感建立在镜头调度、演员调度和摄影编排的完美配合上。始终在快速移动中牵引观众注意力，摄影在枪战戏中干净的调度也比同类型、同样手持拍摄的影片观赏性高很多，摄影真的稳！节奏把握的也好。全片把一个大任务拆分成若干小任务形成游戏闯关式驱动。在强调沉浸感的时候一定会造成叙事上的相对薄弱，侧重点不同，无可厚非。在影院大银幕看的话绝对更刺激…真的吓人…
三星半。最后的打斗居然看出来一点疾速特攻的感觉。
找钥匙是重要一环 很高兴导演和彦祖联袂制造了一段任性的表演 强如吴彦祖在好莱坞也是要靠舔的 情节上中规中矩 画面和制作无可挑剔 让人重新找到一开始看西部世界的感觉 所以女二一开口吓一跳 才知道是正经的英国人 我相信结尾部分画面灵感来源和西部3一样 即使能赶上取材去年blm 零元购好像并不需要燃烧瓶
还是老套路的英雄片，场景简陋也不精彩，只有一镜有点特色？
真糟糕，战术战略完全不讲胡乱biu，圣母女表+无头苍蝇反派，看似严密的黑军事监狱轻松被攻破，小钢炮都没一发，重机枪都没一挺，突突突还没哔哔哔的话字儿多...阿金斯你上点心行不，好歹也算是个腕儿了，挑片子把眼睛擦亮点好伐...
逻辑和漏洞也是够够的了，不过斯科特大哥作为男主且作为海豹单兵的实力还是可以的，前提不要想他的部署
科幻设定包裹下的爱情烂片，退伍老军人修叔豁了命也要谈恋爱。唯一的亮点场面是rebecca翻唱cigarettes after sex的nothing’s gonna hurt you baby迷住了吴彦祖。
年过半百搞这种纯爱就觉得腻起腻起。吴彦祖为什么还硬要拽一两个中文词？
Copyright © 2015-2023 All Rights Reserved
