这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
phl->lax #1
本來想噴一大串的，但想想算了，或許有這部片的市場在，只是剛好不合我胃口，但對我來說這跟屎一樣難以下嚥。
这种电影总是让人觉得人生太苦，冰天雪地寒彻骨，遍起篝火不能祛
挺典型的法式喜剧，放牛班的Monsieur Matthieu 好久不见哈
展示了富二代可恨和可爱的双面性，还是挺有意思的。
一颗星给救人与自救的大主旋律，两颗星给无限旖旎的山谷风光。冰风暴刮得清醒 生疼 沧桑，女主在这种环境下毫发未损，还依靠主角光环将一个废男拖下山，厉害。雪景比人更耀眼，可以截屏好～多张桌面。
和Blake Lively几年前那部A Simple Favor放一起看很有趣，都是悬疑，都是闺蜜失踪……相比较之下，S那部就还是雌竞塑料姐妹叙事，这部则选择了显然更woke更女权的叙事，男人都恶心，唯一的好男是叙利亚难民……看完一查果然是女导演呢…
无聊消遣……不过做爸爸也太难了……女主五星……
结了婚的又出轨，出了轨又怕失去婚姻，都图啥呢也不知道，到底是在乎婚姻还是不在乎？
情節很寫實也很狗血
和《厄运假期》【《艾米丽在巴黎》（：】还有许多类似的片子很相似，都以鬼吼鬼叫、傻里傻气的美国游客开始；然而平静之下有风波，接着一步踏错步步行错。有多少可以猜到的情节不重要，更关键的目的只要能让你停留在屏幕面前，就是胜利。“人无千日好，花无百日红”，Leighton Meester如今只能接到这样规模的的电影邀约实属遗憾；她应该值得真好，但确实很无赖。
无脑的轻松愉快家庭电影，喜剧效果一般，更注重家庭问题。
故事内核比电影本身更有思考力度，在人心的风暴中，或许唯有相互扶持才能走出艰辛，邂逅天晴。
为了反转而反转的技巧真的让人恶心，就像看了一部不带剧情的A片一样。不过好在最后的情感的出口还算正常，没有为情节去扭曲闺蜜情。网飞的前身大概就是腾讯的现在，用分母去浪投找分子，祝你成功！
撑不起电影的重量，就电视剧集的程度是合格的
一个美式脑残型救援、励志蠢片。无以复加、难以言喻的各种别扭。
不咋地，女主角挺漂亮的，有点像vanessa paradis
It’s always the ______
不咋地，女主角挺漂亮的，有点像vanessa paradis
20220617 节奏和故事都很闷。为了埋伏笔而故意交代不清背景的剧情完全没有必要，功力不够只能让人觉得没准早点交代的话这片子还能好看点。有些地方觉得不太合理，比如从雪山下来的途中落入河里的那片森林，完全无积雪。而转眼他们又上了雪山衣服还都看起来不湿。空洞、简单重复的对话以及男主各种作死的行为，让不到100分钟的故事显得漫长和无趣，把本来可以是很好的真人事迹改编的故事弄的完全没有什么说服力。
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