The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
三星半吧，完成度挺高的，拿的罗生门的本子吧，算是不恐怖的悬疑片!
是我去电影院花30块也不会感觉亏的电影，多给一星吧
但凡换个不那么垃圾网大既视感的片名。与其硬蹭恐怖鬼片的点，还不如大大方方找准定位，别尽整些虚头巴脑的玩意。
你™就是键盘啊
故事还挺有意思的 要是真的搞一个妖怪剧 就好了 好喜欢妖怪剧
总要破除迷信，鬼怪全在人心。
两个半小时的电影 很快就过去了 还可以吧
网大在这种环境下能拍到这样子，非常不容易了。三星，加一星鼓励！
人性就是这么自私贪婪，又不懂感恩
不，这跟制度有毛关系？
导演真的太能拍了，2.5h分着看了好几天
最后抱孩子抱起一团空气让人后怕，所以真的是有鬼？瞎子好心怜悯死去的孩子，所以鬼保他平安？
在网大里算优秀的了
这韩国导演不太行啊 很多细腻的地方表现的模凌两可的 一股韩味 恶心
不管怎样就是要和你在一起，一起流浪吧。这也算是一种别样的浪漫
升米恩，斗米仇。果然人心最恶啊。
狐狸出阁。还有跟公鸡拜堂的。
仿罗生门结构没铺垫式多重反转，好一个全员说谎人，全程故事节奏靠嘴巴和不断死人推动，质感还有最后那个长镜头的确是亮点，但总感觉故事还是没说好。
结尾：全员恶人or戏说而已？欲念与罪恶的距离。这也太三言两拍了。
网大能有这水准，可以说是牛逼了。只怕过两年就可以像前几年的网剧追赶电视剧一样，从粗制滥造到倒逼院线电影了。不仅没想到这个处理鬼怪问题的方法，更没想到能在这种作品里看到人性……
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