Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
故事的主题太过单薄，但是在冰海上滑冰突击这样的创意点子还蛮新颖的
啥玩意，流水账，就算是架空吧，人物塑造不成立。画面还可以，虽然没啥画面。
剧情太简单，人物太单薄，转变太生硬，最后BOSS战和闹着玩是的，很失望
既然是战争你死我活和同归于尽都是正常选项，导演吃撑了在这里秀什么母爱？母爱还秀成这个德性全人类就指着你女儿活着了？
无聊了，而且不知道意义何在。剧本很重要哦，你们什么时候才懂。
氛围挺好。画面也不错，能感受到战争的恐怖、残酷。演员演技在线，尤其主角，演的很棒，能感受到她对女儿的爱。但是，为了女儿就可以牺牲其他人吗？向队友开枪，拼死也要把病毒带回去。当下，俄乌战争还没结束，新冠依然在肆虐。你，为了女儿就要牺牲全人类吗？最后所谓拯救在我看来不过是对欺骗的报复。欧美的价值观、情亲观可见一般，野蛮的民族！
留着一口气只为了自己的孩子。
世界陷入一片混战，女主劳米所在部队将失去海岸线防线，上级要求她带领一支5人小队，把终结战争的“秘密”带到基地，广袤的冰岛海平面被冻住，开船无法破冰，开车会沉入海底，只有人穿冰鞋划过去到基地，就像黑夜行动的螃蟹，女主本不想接任务，上级忽悠她说女儿在基地，思女心切的劳米带领的队友一路领盒饭，半路知道了所携带的“秘密”居然是生化武器，如被制造释放，人类将灭绝，母爱爆发的劳米不顾队友反对，坚持将生化武器带到基地，可惜见女儿的愿望落空，心灰意冷的劳米勇闯实验室，将武器绑在手雷上同归于尽。
有被情感线和氛围感深深打动到，表演和效果也完美呈现。至于背景交代不清就不必苛责了，这不正是瑞典电影的特色嘛。
一直没有开分，犹豫了很久，还是决定去看啦，当全城只剩下5家电影院有排片。感觉比较想象好很多呢，画面制作挺好的，有一些情节设计还小有意思。没有很多大道理，有温情。不是那么低幼，成人朋友也可以看的。
比较差 大反派的动机很迷 公路片很偷懒 建模很粗糙 各方面都比较差 国产动画比较难 所以多给一颗星
抛开生化武器不谈，当一个任务需要用谎言来才能促使士兵去成功执行的时候，战争其实早就已经把双方都撕裂成碎片了。
武戏稍逊，文戏在主人翁性格经历的塑造上有点让人觉得虎墩更像我行我素的熊孩子，而不是一个小英雄。但这毕竟是主创们的处女作，还是应该肯定一下哈。
瑞典的现代战争片，像玩游戏做任务一样，所有的队员都战死了，很真实，在冰上战斗的场面非常好看，滑冰，冰破裂，背叛，狙击，最后挺感人的，让我感受寒冷条件下战争的魅力
「黑蟹行动含中字」https://www.aliyundrive.com/s/S9J4W3iqWst 点击链接保存，或者复制本段内容，打开「阿里云盘」APP ，无需下载极速在线查看，视频原画倍速播放。
从高纬度封冻海区冰面上的步兵特种作战角度看是挺有参考价值的电影，其他方面很平淡
战斗场景有些bug，但也只有战斗场景稍微好看点，背景啊母爱啊，有点都说不通，不过在现今这个局势中播放，就是让你看看继续打下去是啥后果
听说女儿人在基地，什么勾吧人类，亡不亡的关老娘屁事！
剧情就不知所畏了。整部电影的氛围渲染的很好。一个个的同伴相继因为各种原因死亡，为了见女儿，而支撑着女主的强大意志力到达终点。结果一切都是骗局。随便看看吧。无功无过。
生化危机母女悲情版！剧情老生常谈，只不过增加溜冰、末世求生环节亮点。
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