Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
不是剧场版 是两集日常TV版 熟悉的配方 熟悉的暖心与感动
虽然故事有些简单，但还是很喜欢。后会有七！
越来越敷衍了，剧情也是看过转头就忘那种，就两集剧集的长度拼拼凑凑也好意思叫剧场版，除了卖情怀还剩下什么？
岩铁大人相信我可以做到，为了回应岩铁大人对丑陋卑微的我的信赖和期待，历经磨难也要完成任务。
其实我并不爱看日本鬼神动漫，有点害怕。只是日本动漫版拍得不是很恐怖，反而很温馨立志。但本质还是鬼片。
还是一如既往的温柔。期待第七季呀！！！有爱有爱有爱～～～
不可结缘，徒增寂寞。『替身梗』池主相会，田沼被附身
总共50来分钟，不是电影，是两集动漫拼成。故事质量还不高，比较低。比较反感是第二个故事，夏目已经认出三筱，但是仍然担心他会加害田沼，一副对立敌对态度，样子有点刻薄，全然没有夏目的温柔。所以和妖精交了这么久朋友，一面对人类朋友，妖精还是那样不可信任吗？所有对夏目的美好，仿佛都飒灭了。
快节奏里让人peace又治愈的存在。以及又get了三三金句，热闹不代表充实。
不可结缘 徒增寂寞 以前看是温柔 年纪大了看 故事的本核是悲伤
《奇怪小妖找主公》1星
两个小故事 温柔的夏目 身边的妖怪同学也很温柔 他的世界真美好
还是那个配方，还是那个味道！充满暖意！
夏目的剧情不重要，重要的是夏目的存在，只要存在就是美好。
时隔两年再次看夏目，还是原来的味道，BGM还是两首特别喜欢的，治愈中的温暖感动。石起的故事让人觉得非常心安，すずみ的人设挺好看，希望能够一直更新下去，这是第七季的前奏了吗？
“热闹并不代表充实”
自己做不到像之前那样被很深地感动了，不过看到弹幕里那些被感动的人，也感觉已经足够了
第一万次想活在夏目友人帐的世界里，没事儿就凑凑热闹喝美酒。
只要这番不完结，我就一直追下去！我永远是夏目三三的真爱粉！
两集OVA合集，没有夏目独特的OP和ED总感觉差点味道。希望第七季能尽快到来。
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