"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
有剧情有特效有打斗有教育意义，这不比隔壁几部好看？
三点五星手松可以四星
剧情和节奏不行，但是特效，分镜，打击感绝对是科幻片中一流水平。感觉是做给带娃看电影的爸爸们看的(its me)，好让他们明年还带娃来看熊大熊二，毕竟动画春节档也内卷严重。
转自影院一个小朋友说的：熊出没做的越来越科技化了。科技化意味着缺少了之前的搞笑与纯朴。另外结尾看起来像奥特曼打小怪兽...
剧情越走越偏了，不是单纯的卖萌卖蠢就可以吸引观众的，虽然是子供向，但好歹有个正常通顺的剧情吧
院线第三部都没轮到水门桥，不就是抄概念吗，不就是啥都像一点吗，但是挺好看的。
儿童动画片弄3D？？太低龄的剧情复杂画面刺激不太适合，稍微大点的孩子为啥不去看动漫？？经典镜头还是用的十几年前，甚至几十年前的老梗。国产的想象力创造力呢？？？
反派干尽坏事只因为家世可怜夫妻有爱就被主角轻易原谅了？？？这叫宣传温情？
星主要是给制作的，事实证明反复做一件事情，总能有所进步。
各种缝合，但是在这个春节档期我就只看这一部！每年都会陪孩子去看，其他电影略过，有机会就到时视频平台见！熊出没一直是剧情简单，表现紧凑，兼顾低龄儿童，顺便招牌3D炫技，屡试不爽！一如既往的出，我们一如既往的去支持！
儿子期待了很久的大片，我和他爹都觉得没有去年的狂野大陆好看，但是小朋友开心就够了。
娃儿还是挺喜欢这个IP的，系列电影都看了。
5特效炸裂
熊出没IP下的特效大片，尽管预告片就已经能把故事看个大概，剧情走向也是一眼就能看出前因后果的套路，但是这也正是子供向定位清晰的体现，总比漫威那种没营养的故作深沉要好得多得多。
7片尾彩蛋开放式结局（不按熊出没大电影标准结局常规出牌）
女儿问我，阿布的爸妈为什么不和他一起走。我说，因为时间紧迫，宇宙飞船太小，只能让孩子走。顺便打算糊弄一下父爱的伟大。女儿打断我说，阿布走的时候他的爸妈站着都不动，为什么不走。还有熊二比他们大太多了。最后女儿一直纠结为什么那个女孩的妈妈去世了，是怎么去世的，还有天火和哥斯拉还有奥特曼的关系。我只能说，这是胡编的。
动画的好处是即便是科幻也不受科学原理的束缚。除了不太适合孩子看，其他都很优秀。有点像《天空之城》。
陪娃看。////这个系列娃真是百看不厌，就是费妈。
陪我妹看的，特效精细度很高，剧情很老套，结尾很草率，我一个大人看当然很无聊了，主要在认各种电影的影子，我妹说满分10分她给9分，等她以后有豆瓣账号自己来打9分好了（？）
转引五岁小朋友的话：零分。
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