Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
感动～为怀旧。想得到艺术的享受，还是要看老版动画《鲁西西奇遇记》。我国的美学教育真的是断层了……希望郑渊洁的IP可以有大资本介入，好好运作，而不再是家庭作坊。专业的事还是要专业的人来做。/满场小孩子，都看得特别投入，高声讨论、和银幕里人物对话
越来越喜欢赵震雄的表演，怎么都透出一种正义。怎么也不像坏人，虽然说影片讲诉的就是警界的灰色人物，一看他就是好警察。
童话电影，但是适合大朋友小朋友一起看，不愧是郑渊洁...故事好看，有笑有泪，不突兀不说教；小朋友演技自然不出戏！！好看喜欢！
意外地还不错，在原著和市场选择的子供向电影之前找了一个恰当的平衡点。
1.穿西装还是得老男人，崔宇植这种奶呼呼的没有那种气场；但是他这小眼睛倒是把游离于警匪之间的迷惘与不解诠释的很好；
俩男主演技还是没的说。就是线条太多整得最后哪个都不突出。没啥起伏比较平静
小学的时候订阅了《童话大王》，郑渊洁真的是一个神奇的人，他的童话写给大人也写给小孩儿。
这部剧的题材很好，在黑暗边缘试探。但是给我感觉整体下来波澜不惊，小崔的转变太快，突然进化？这个故事如果是个连续剧还只是前传的程度吧，铺垫太多了。
“只要你做的事结果是好的，就有民众支持你。”不是非黑即白，而是踩在灰色地带。商业电影一如既往的套路，反转反转再反转，总之让你猜不到结果又能预估剧情走向，有些情节无需较真。完全靠演员演技支撑的一部电影。
虽然影像和情节有不少显得散乱的地方，不过整体依然是可爱的，小演员也都很努力，在一眼看上去就很假的特效面前呈现出了一种真。
3.脑海中一直在想起《窃听风暴》；事情没有绝对的对与错、黑与白，而在于本身立场出发是否深信不疑；
本片的90年代家庭/校园画风的还原度不亚于徐峥在鸭先知里对80年代的设计成果。 嘉木@亮马桥星典
剧情可以猜到那种 浪费了三大主演 完全不出乎意料 类似的电影感觉看了太多 没有啥新意和亮点 不太推荐
看到最后我睡着了，好像，我的童年是没有郑渊洁的。
套路化，太多经不起推敲。家里弄的像侦探的研究室，如果上司来了怎么办？
还不错 主角造型处理的不错 就是信息量太大要经常暂停看字幕
本次是参加了盗梦的观影点映会，还有幸见到我的偶像郑渊洁老师，在点映会中，郑渊洁老师特意强调了如何对孩子们进行性教育保护工作，教给所有孩子一句话。我还不到14岁，你想坐牢么？
还不错 支持下小崔 有点类似无间道 黑白真的就没有灰色地带么
只有崔宇植西装，他眼皮受伤以及缝针之后的恍惚回忆，以及卡点11点送回20亿这几个亮点。
在灰色地带游走的警察，人设亦正亦邪应该很有魅力的，但是越看越无聊……
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