With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
《违命》前传啊
我好想你。
為什麼總要繞來繞去待到結婚生子了才出軌般的戀舊情呀⋯
烧女后比较喜欢的一部，宗教背景下的禁忌之恋（爱的力量很强大，让她们彼此爱上；爱的力量又不够强大，让她们在爱里分离），谁不爱青春期的悸动啊…厕所的背后抱，夜晚的背后抱，不放我走吗，浴缸洗礼，车内潮湿的吻…在Jamie身上看到自己的影子，但多年过去，生活截然不同的两个人，彼此仍记挂彼此的爱情难寻。
虽然剧情很抓马但是真的很喜欢两位的互动！🥺被Jaime戳中了啊就连手腕上的小纹身都是我喜欢的！
给梦中情妹jamie三星 剩下的给两位女主之间的chemistry 没结婚之前直接给我甜昏头了 最后十分钟完全没必要😢
this love is a forever love .最喜欢影院厕所背后贴着抱，有一种被禁止的爱在抑制不了的欲望下最大程度地释放的感觉，她们在jamie家亲亲那里真的好怕突然被人看见啊！btw我看的是没字幕版本看完之后来翻评论看到亿万那句“翻完咯”我的内心是崩溃的！😨
所有我以为“嗯 导演该让杰米发火了”的地方 杰米都没发火 天使一样的性格 表达自己的同时不会用火气去伤害别人 玛丽卡真的在想办法了 就是这个解题思路太emm了
You should have been there🥲
三星半。但依然不妨碍它成为今年最强青春片的候选人。反对社会成见给予男性的枷锁和既定束缚这一中心表达亮眼而有诚意。男子花游队的成型是个喜剧套路式的误会，但后来的描写和表达都比较不错。
Jaime全程被拿捏的死死的啊，Marike有男盆友还一直撩人家，自己不是单身还嫉妒人家有过女盆友，真推拉王者
在青少年时期不被准许地爱上一个人真的会很无力。
剧情挺无聊的，四星给奇妙的chemistry
Marike结婚生子后突然好苍老，Jaime游历欧洲继续学业还是很青春…好喜欢Jaime🥵🥵🥵🥵
啊啊啊几个镜头真的美翻了好吧!
没有打架，没有开除，没有恋爱，没有堕胎。这才是真正的青春片。青春就是该为了梦想拼搏奋斗。
两个小女主的颜值OK，就是某些信仰真的李姐不了，没有设身处地的经历，很难get剧里的角色的三观。认识了一种不同生活方式吧。
靠，我直接泪崩了，诘问苍天真的要这么对我的cp吗！
就这？都已婚带娃了想啥呢？要么就虔诚的信教要么就不信，搁这整啥呢？这女的一辈子都混乱的过了，一点自己的方向都没有
车后座牵手那里的性张力和空气中的暧昧气息，比做爱还让人肾上腺素飙升和窒息。
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