Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
sm外壳的恋爱轻喜剧，亚洲范围内还算是个大胆的尝试。男主选角太绝了，又狗又欲，让人很想sm他
一段不舒适的关系就该终止，而双方都觉得舒适的关系里怎样都OK。
Bondage 绑缚
以为会有多大尺度，就这？？？不过男主是个小奶狗，太太太可爱了！！！
徐贤演技其实有进步了，表情台词都磨出一点了。我甚至觉得她比一些大热选手更有潜力，不过资源不会好吧。
这种题材居然拍得如此清水，最大尺度也就是吻戏（但吻戏拍得也好色啊被绑着亲）。男主演得好好啊，完全就是狗，好喜欢！
不知道为什么他俩play的时候差点意思，有点生硬尴尬看了没感觉。
一部BDSM科普片。在男权统治下的职场背景显得更讽刺了一些，女Dom男Sub的设定下巧妙地抨击了职场性骚扰。之前仅仅在同人文中看到过这种设定，后面又了解到日本也有了相对成熟的商业实践。人可以通过多元的感情关系，探索出更丰富的自我，这部片子浅浅地让大众对BDSM略知一二，聊胜于无。
畢竟是偶像演的主流商業片，是能夠解禁到哪去，最後還是得回歸純愛的領域，2022.02.15
6.5分。披着情色片外衣的纯爱片~~~打着SM的套路，骨子里却是个爱情喜剧，实际也没太多露骨的内容。整个电影还是太过四平八稳了一些，说到这个就想起同类型的《秘书》，东西方文化还是有不少差异啊~~~~
男女主也都选的挺养眼，不错。
看片名以为忙内学坏了，其实没有你们想要的画面
本以为是一部情色片，没想到正经到连接吻镜头都少之又少。不仅是SM题材、还是这种女性驯服男性的强势角色，这么颠覆韩国传统思想的题材，估计也只有网飞才能出品了。韩国办公室恋情版的《五十度灰》。BDSM 中的D和S意指支配和臣服，支配者和臣服者通常被缩写为 Dom 和 Sub。有受虐癖好的俊俏犬系男Sub，在职场上遇到了做事雷厉风行、不在乎别人看法的女同事。好奇和荷尔蒙的吸引，让她决定成为他的「主人」，这种上班小狼狗、下班小奶狗的人设 真的是太让人想抽小鞭鞭驯化他啦～ 但是两人一直只是维持DS伴侣的关系，从来没有发生关系，直到一段办公室的录音被揭发，才把两人推向了进一步的关系。无论是支配者还是臣服者、施虐者还是受虐者，我们都在努力寻找那个能接受我们假面下真实自我的人。只要找到那个人，哪怕人生天翻地覆也在所不惜吧。
大人爱情喜剧，节奏和笑料都还行，比较创新的是把SM和职场中的上下级权力关系联系起来。
总体来说，情色片但是又控制了尺度，讲清楚一个故事，粉饰一下太平。
应该是全球或者保守一点是亚洲关于sm的探索反思的第一步电影吧。但是。描绘的太过于美好。。
想不出比“挂羊头卖狗肉”更合适的形容了，打着擦边球把人骗进来看你们谈恋爱，真的是做作恶心又无耻。男主很cute，唯一看点。
剧情方面也乏善可陈，男主为了维护女主公然反抗上司的戏码也上演太多次了吧，估计这种桥段也就学生看了才会觉得男主好帅好勇敢真是绝美爱情吧，打工人看了只想给他一个白眼🙄
前面是有趣的，后面移转到爱情上瞬间无聊。女主外形适配这个角色，气场足。
棒子在此类电影上的造诣已经达到了登峰造极的程度！
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